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Classic Festival Solos (Horn in F), Volume 1 Solo Book: French Horn Book

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Classic Festival Solos (Horn in F), Volume 1 Solo Book Cover Image

Classic Festival Solos (Horn in F), Volume 1 Solo Book: French Horn Book

Ed. Jack Lamb

Item: 00-EL03740

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Description
Classic Festival Solos offers the advancing instrumentalist an array of materials graded from easy to more challenging. There are different titles for each instrument, and an assortment of musical styles has been included in each book for variety. Many of the solos appear on state contest lists. Contains: Bourree (Handel, arr. Dishinger) * Chalet (Smith) * Champagne Song (Mozart, arr. Ployhar) * Elegie (Scheurer) * Hornpipe (Handel, arr. Ployhar) * Humoresque (Tchaikovsky, arr. Smith) * Lady in Blue (Pelz) * March of the Grenadiers (Ployhar) * Menuet (K. 164) (Mozart, arr. Dishinger) * Nobodyes Gigge (Farnaby, arr. Dishinger) * Romanza and Allegro (Scarmolin) * Soliloquy (Kaplan) * Valse Triste (Sibelius, arr. Ployhar) * Viking (Smith). This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Classic Festival Solos (Horn in F), Volume 1 Solo Book: French Horn Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Classic Festival Solos
Publisher: Alfred Music
Page Count: 16
ISBN10: 0-7692-1759-1
ISBN13: 978-0-7692-1759-8
UPC: 029156136548
SKU: 00-EL03740

More about this title

Why we love this

This collection pulls from trusted contest repertoire, which means your students are learning solos that adjudicators know well and respect. The range of styles within these fourteen pieces keeps the practice experience fresh, moving between Baroque counterpoint, Romantic melody, and character pieces without monotony.

What to expect

You'll move through centuries of musical tradition in one sitting: the elegant restraint of Mozart, the robust character of Handel's dances, the Romantic warmth of Sibelius and Tchaikovsky. The variety mirrors what a musician actually encounters in concert life.

Who it's for

Advancing hornists working toward solo performance and contest experience will find accessible yet musically substantial material here. The graded difficulty within the book allows students to build confidence on easier pieces before tackling the more elaborate arrangements and original works.

How to get the most out of it

  • Balance the lyrical lines in Valse Triste and Romanza and Allegro by sustaining your phrase shape through the natural swell and decay, rather than pushing every note forward.
  • Articulation changes the personality of the Baroque pieces considerably. Experiment with a lighter tongue on Bourree and Hornpipe to let the period style emerge.
  • In the faster march sections and gigues, lock the rhythmic subdivisions early in rehearsal so you're comfortable with the style before adding interpretive details.
  • The character solos like Lady in Blue and Soliloquy reward careful dynamic shaping. Mark your music with specific dynamic targets to avoid a flat performance.

How to use it

Feature these solos in student recitals or use them as individual assignments throughout the year, pairing contest-eligible pieces with lighter character work to keep the solo experience rewarding. The manageable length of the book makes it ideal for distributing one piece per week across a semester of private lesson or ensemble rotation.

Skills your students will build

  • Reading and performing across multiple musical periods and styles
  • Melodic phrasing and rubato in Romantic and character pieces
  • Articulation and ornamentation appropriate to Baroque repertoire
  • Controlled dynamic shaping and tone color variation
  • Contest-level performance preparation and interpretation

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