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Clarinet Solos: Clarinet Book

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Clarinet Solos Cover Image

Clarinet Solos: Clarinet Book

Level: II

Item: 00-EL03126

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Description
An overview of the most popular contest and recital pieces written for clarinet. The material has been carefully selected to match the technical capabilities of the younger advancing player. Levels 1 & 2 are available for each instrument (flute, oboe, clarinet, alto saxophone, F horn, trumpet, trombone, tuba, drum), both with supplementary piano accompaniment volumes. Correlated to the First Division Band Course.

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Additional Details
Publisher: Alfred Music
Page Count: 16
ISBN10: 0-7692-2164-5
ISBN13: 978-0-7692-2164-9
UPC: 029156130218
SKU: 00-EL03126
Instrumentation: Clarinet

More about this title

Why we love this

This collection bridges the gap between method book exercises and genuine solo literature by pairing accessible arrangements with pieces that actually sound musical in performance. The fact that each solo comes with piano accompaniment means your advancing clarinetists can experience the full texture of a real recital setting without needing a separate accompanist to prepare.

What to expect

Each piece invites the clarinetist to move beyond technical survival into genuine musicianship. The selections feel purposeful and crafted rather than pedagogical, allowing younger players to discover why people love playing the clarinet in the first place.

Who it's for

Clarinet students at the advancing beginner-to-intermediate stage who are ready to move beyond daily exercises into solo performance. This book works well for students preparing contest entries, building a recital program, or simply exploring what the clarinet repertoire offers beyond their band book.

How to get the most out of it

  • Secure the key signature and any accidentals in advance of the rehearsal; many younger players rush through preparation and miss important modulations within the piece.
  • Use the piano accompaniment to establish tempo and phrasing before solo rehearsals; having the harmonic context helps clarinetists understand where they sit melodically.
  • Record yourself playing through each solo to identify which passages require additional technical work; listening back reveals rhythm and intonation issues that aren't obvious in real time.
  • Build in warm-up time at recitals; pieces at this level benefit from a settled embouchure and steady breath control from the opening note.

How to use it

Use these solos to populate your school's solo and ensemble festival entries, or assign one piece per marking period as a performance requirement for clarinet students in your band program. The correlation to the First Division Band Course means students can often find supporting material in their regular band method books.

Skills your students will build

  • Reading and executing the technical demands specific to clarinet repertoire
  • Shaping musical phrases with intentional articulation and dynamics
  • Balancing solo melodic line with accompaniment texture
  • Building sight-reading confidence across varied contest and recital literature

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