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Clarinet Solos: Clarinet Book

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Clarinet Solos: Clarinet Book

Adapted or arranged by Nilo W. Hovey, Beldon Leonard, N. H. Seward, Fred Weber and Robert Lowry

Level: I

Item: 00-EL03108

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Description
An overview of the most popular contest and recital pieces written for clarinet. The material has been carefully selected to match the technical capabilities of the younger advancing player. Levels 1 & 2 are available for each instrument (flute, oboe, clarinet, alto saxophone, F horn, trumpet, trombone, tuba, drum), both with supplementary piano accompaniment volumes. Correlated to the First Division Band Course.

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Additional Details
Publisher: Alfred Music
Page Count: 16
ISBN10: 0-7692-2156-4
ISBN13: 978-0-7692-2156-4
UPC: 029156100747
SKU: 00-EL03108
Instrumentation: Clarinet

More about this title

About the Arranger: Nilo W. Hovey

Nilo W. Hovey was a prolific arranger and music educator who shaped instrumental pedagogy in the early-to-mid 20th century. His work with the First Division Band Course established a systematic approach to building technical skill and musical literacy across multiple instruments, prioritizing repertoire that balanced accessibility with genuine artistic merit.

Why we love this

This collection addresses a real curricular need: quality recital material at Level 1 that actually sits well on the clarinet without requiring years of advanced technique. The selections balance contest-ready pieces with genuine musical substance, so students aren't just practicing exercises dressed up as songs.

What to expect

These solos offer the pleasure of sounding mature without the technical burden of professional-level writing. A student gets to play recognizable, rewarding material that sits naturally under the fingers while building control and musical awareness.

Who it's for

This book serves young clarinetists who are moving beyond beginner materials and building recital repertoire. It works equally well for students preparing for contest appearances or for independent studio teachers looking for carefully vetted solo material that matches advancing but not yet advanced abilities.

How to get the most out of it

  • Start with pieces that match your student's current technical range, then work backward through the book to find pieces they've already mastered for confidence-building recitals.
  • Pair each solo with the supplementary piano accompaniment volume to give the performance shape and context beyond solo practice.
  • Use the contest pieces as benchmarks for musicality, not just technical accuracy; these selections reward expressive phrasing even at entry levels.

How to use it

Draw from this collection to staff student recitals throughout the year, using the easier pieces early and progressing to the more challenging ones as technique develops. The contest pieces work especially well for school band concert soloists or as stepping stones before tackling more demanding regional contest repertoire.

Skills your students will build

  • Sustaining melodic lines with consistent tone quality
  • Reading at Level 1 notation across the clarinet range
  • Balancing solo prominence with accompaniment support
  • Building endurance for multi-page performance pieces
  • Interpreting contest-style phrasing and articulation markings

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