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Civil War Songs: Conductor Score & Parts

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Civil War Songs Cover Image

Civil War Songs: Conductor Score & Parts

By Percy Hall

Item: 36-20402543

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Description
"Aura Lee" and "Dixie" are well-known tunes from the 19th century that still have popular appeal.  Legato playing is necessary for the proper interpretation of "Aura Lee," and "Dixie" should be played in a light but energetic staccato-marcato.  An excellent piece for concert of contest!  Versions for Woodwind Trio and Brass Trio are available from the publisher.

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Additional Details
Series: Great Works Publishing - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-57-134015-7
ISBN13: 978-1-57-134015-3
UPC: 654690605214
SKU: 36-20402543
Instrumentation: Flute, Oboe (Bb Clarinet) and Basson (Bb Bass Clarinet)

More about this title

Why we love this

Hall's arrangement captures the character of both tunes with clear interpretive direction, requiring your players to master two distinct articulation styles within a single rehearsal block. The contrast between the sustained legato phrases of 'Aura Lee' and the crisp energy of 'Dixie' gives woodwind trios meaningful expressive work beyond unison passages, and the conductor score makes preparation straightforward.

What to expect

Nostalgic and accessible, grounded in recognizable 19th-century melodies that audiences connect with immediately. The piece moves from the plaintive warmth of 'Aura Lee' into the spirited lift of 'Dixie,' offering contrasting emotional terrain that keeps performers and listeners engaged.

Who it's for

Woodwind trio directors preparing for concert or contest performance. Players at the intermediate level who have secure technique and can execute both sustained legato lines and articulated staccato-marcato passages with control.

How to get the most out of it

  • Shape 'Aura Lee' with long phrases and consistent air support through sustained passages; legato doesn't mean slow, so maintain forward momentum even at a moderate tempo.
  • Balance staccato-marcato articulation in 'Dixie' so each note remains distinct without sounding choppy; emphasize the light character by keeping dynamics controlled and bouncing slightly on the attack.
  • Blend across the trio by having oboe and clarinet listen closely to the flute's phrasing as a guidepost in the legato sections.
  • Mark your own practice parts with dynamics and articulation reminders at the rehearsal mark transitions to ensure the shift from 'Aura Lee' to 'Dixie' lands cleanly.

How to use it

Pair this on a recital program with one serious modern trio to showcase your ensemble's range. The historical material and clear contrasts also make it suitable for educational concerts where you want to highlight articulation and phrasing work alongside familiar repertoire.

Skills your students will build

  • Legato phrasing and shaping sustained melodic lines
  • Staccato-marcato articulation with rhythmic precision
  • Contrasting articulation styles within a single piece
  • Ensemble balance and blend across three voices
  • Dynamic control at different tempi and characters

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