Ciudad de Festivales Cover Image

Ciudad de Festivales: Concert Band Conductor Score

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Ciudad de Festivales Cover Image

Ciudad de Festivales: Concert Band Conductor Score

By Larry Henry

Grade: 2 (Medium Easy)

Item: 00-23304S

$7.00
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Description
Written in A-B-A form, Ciudad de Festivales begins with a rousing introduction using thematic and rhythmic motives. After an initial statement of the melody by a solo trumpet, the piece develops adding instruments and contrapuntal lines. The B section is introduced by a trumpet duet leading to a baritone solo. A short interlude leads to the return of the A section with the addition of obbligato woodwind parts. The introductory themes are used once again as the coda brings the piece to a spirited conclusion.

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Additional Details
Series: Young Symphonic
Publisher: Alfred Music
Page Count: 20
UPC: 038081233697
SKU: 00-23304S

More about this title

Why we love this

This conductor score delivers exactly what a Grade 2 band needs: clear structural architecture that lets students hear how themes develop and recombine without getting lost in complexity. The A-B-A form gives you natural rehearsal landmarks, and the strategic solo writing (trumpet and baritone) keeps ensemble members engaged while building confidence in featured players.

What to expect

Celebratory and dance-like, with the spirited energy of a festival opening. The piece moves through contrasting moods without strain, balancing a bright, energetic A section against a more lyrical B section, then surging back to the opening idea with added color.

Who it's for

Conductors building Grade 2 bands that are ready to move beyond block harmony into genuine orchestration. The piece works for ensembles comfortable with lyrical solo playing and independent part writing, especially those with reliable trumpet and baritone players.

How to get the most out of it

  • Balance the introductory thematic material between sections during the opening passage so the rhythmic motives land cleanly without one voice drowning out another.
  • Shape the trumpet solo in the A section as a genuine melody statement; this is where your lead players establish the piece's character for the entire band.
  • Use the trumpet duet at the B section entrance as a moment to reset tempo and articulation clarity before the baritone solo takes over.
  • Highlight the obbligato woodwind parts on the return of A; they're the reward for knowing the form and add textural richness that justifies the reprise.

How to use it

Program this as a set opener or early-concert piece where its accessible Grade 2 level won't tax an ensemble that still has challenging work ahead. The A-B-A structure and festival character also make it an ideal pairing with other lighter concert band fare in a pops or family concert context.

Skills your students will build

  • Following sectional form (A-B-A) through development and recapitulation
  • Balancing obbligato lines against primary melodies
  • Playing solo passages in a full ensemble context
  • Responding to thematic material when it returns with orchestration changes

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