Circle the Wagons Cover Image

Circle the Wagons: Concert Band Conductor Score & Parts

$45.00 USD
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Circle the Wagons Cover Image

Circle the Wagons: Concert Band Conductor Score & Parts

Arranged by Jack Wilds

Grade: 1.5

Item: 98-B1549

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Description
This fun, western-inspired work utilizes two folk tunes to portray a raucous, spontaneous dance that might have taken place around an evening campfire. A smooth, peaceful introduction quickly gives way to a light dance tune. As the dance continues, the music becomes more complex and volatile before giving way to a forceful statement laced with chromaticism. Themes then combine in a final triumphant declaration and rip-roarin’ celebration. Yeehaw!

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Additional Details
Series: FJH Developing Band
Publisher: The FJH Music Company, Inc.
UPC: 674398231454
SKU: 98-B1549

More about this title

About the Composer: Jack Wilds

Jack Wilds

Jack Wilds composes for musicians across every age and experience level, from elementary choirs to professional chamber ensembles. His output spans over 40 published works for developing musicians, and his band and choral scores appear regularly on festival required repertoire lists across multiple continents. His chamber music has been performed by the Attacca Quartet, members of the New York Philharmonic and Atlanta Symphony, and at venues including the Midwest Clinic and the International Trombone Festival.

Wilds draws compositional material from visual art, literature, and philosophical sources alongside pure musical impulse, creating work that meets performers at their level while demanding artistic authenticity. A former public school band director, he teaches composition, theory, and music technology at Texas State University and serves as Co-Director of Music at First Presbyterian Church in San Marcos. His teachers include Michael Ippolito, Chris Trapani, and Donald Grantham.

Why we love this

Wilds captures the infectious energy of a campfire gathering without overwhelming young players. The progression from peaceful introduction through layered complexity to triumphant final statement gives conductors a clear dramatic arc to shape, and the use of two folk tunes keeps the work rooted in material students can latch onto musically.

What to expect

The music unfolds like a story around a campfire. It opens in the quiet of evening before erupting into movement and playfulness, building in rowdiness and harmonic color as the celebration grows, then cresting in an exuberant, almost chaotic final cheer. The western setting gives permission for abandon and joy.

Who it's for

This piece sits perfectly for beginning to early intermediate concert bands that want to program something with genuine character and humor. Young musicians benefit from the clear sectional structure and the accessibility of folk-based material, while conductors appreciate work that teaches artistic phrasing without requiring technical virtuosity.

How to get the most out of it

  • Shape the opening with genuine quiet; the contrast into the light dance tune will land harder and the whole structure will breathe better.
  • Keep the dance section buoyant and rhythmically tight. Young bands often drag here; establish a steady pulse in early rehearsals and let the forward motion carry the character.
  • Balance the folk themes carefully when they combine in the final section. Each line should be audible rather than drowning in the celebration.
  • Use the chromaticism in the volatile middle passage as a rehearsal landmark. It signals a gear shift and gives players a memorable spot to lock in.

How to use it

Program this at a spring concert or pops night where lighter repertoire balances more serious works. It also works well early in a festival rotation to establish an energetic tone and get the audience engaged immediately. The western theme and transparent scoring make it ideal for community concerts or programs celebrating American musical traditions.

Skills your students will build

  • Maintaining steady pulse and rhythmic independence through syncopated passages
  • Balancing multiple melodic lines when folk themes combine
  • Shaping dynamic contrasts across sectional structures
  • Responding to chromatic movement and harmonic color changes
  • Building and sustaining momentum in a light, dance-based idiom

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