Circle of Our Song Cover Image

Circle of Our Song: 3-Part Choral Octavo

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Circle of Our Song Cover Image

Circle of Our Song: 3-Part Choral Octavo

Music by Greg Gilpin

Item: 00-23022

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Description
Directors of developing choirs will delight in this simple partner song by Greg Gilpin, which incorporates the melody from Beethoven's Piano Sonata no. 8, Pathétique. With a text that celebrates the joy of music, and two independent vocal lines that inspire expressive singing in young voices, this piece will take your choir to a new level. An optional bell part is included in the publication, plus a fine SoundTrax CD and a sign language video or DVD are available. Featured on the new staging DVD/Video "On the Stage!" (DVD #23037, Video #23129).

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
UPC: 038081222066
SKU: 00-23022

More about this title

About the Composer: Greg Gilpin

Greg Gilpin

Greg Gilpin brings a rare combination of compositional craft and performance leadership to American choral music. An ASCAP-award winner and respected conductor, he has led performances at Carnegie Hall, Lincoln Center, and Ryman Auditorium, with international engagements spanning the Sydney Opera House, Royal Festival Hall in London, and Harpa Concert Hall in Reykjavik. As Director of Educational Choral Publications for Shawnee Press, Gilpin shapes the repertoire that develops young singers across the country.

Beyond the concert hall, Gilpin's creative energy extends across film scoring, recording production, and even professional organizing. He composed the award-winning score for the short film "Rosie's Rescue" and collaborated with opera singer Angela Brown on a new arrangement of "What Child is This?" premiered by the Indianapolis Symphonic Choir. A member of ACDA, NAfME, SAG-AFTRA, and Life Loyal Member of Phi Mu Alpha Sinfonia, Gilpin remains actively engaged in teaching, composing, and conducting.

Why we love this

This partner song transforms a timeless Beethoven melody into something alive with contemporary purpose. Young singers gain genuine expressive challenges from the independent vocal lines, and the text celebrating music's joy gives your rehearsals real emotional anchor. The optional bell part and available staging resources make it practical to stage at multiple performance levels.

What to expect

Warm and celebratory, with the gravitas of Beethoven's Pathétique lending emotional weight to a text about the joy of collective singing. The piece feels like a song that already exists in the hearts of young singers, familiar yet fresh, inviting them into something bigger than themselves.

Who it's for

Developing SAB choirs ready to handle two independent vocal lines without sacrificing musical coherence. This piece rewards directors who want their singers to experience real independence while singing alongside partners, making it ideal for middle school and early high school choirs building ensemble maturity.

How to get the most out of it

  • Balance the two independent vocal lines so each melody remains clear; avoid letting one voice dominate, especially where the parts move in different directions.
  • Shape the text "Circle of Our Song" with intentional phrasing that rises and falls naturally, treating it as a sung conversation rather than a recitation.
  • If including the optional bell part, rehearse it separately first so singers aren't distracted by the additional texture during vocal rehearsals.
  • Explore the staging video or DVD in advance; blocking suggestions can unlock expressive possibilities your singers might not discover in score study alone.

How to use it

Program this for spring concerts, graduation ceremonies, or peace-centered concerts where the text's message of community resonates. It pairs well with other contemporary arrangements that honor classical foundations, and the moderate length makes it flexible for full concert programming or shortened end-of-year performances.

Skills your students will build

  • Independent vocal line singing in SAB voicing
  • Expressive phrasing with text that celebrates music-making
  • Blend and balance when two melodies sound simultaneously
  • Interpretation of a masterwork melody in a contemporary choral context
  • Staging and movement coordination (when using the optional video resources)

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