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Christmastime in Russia: String Orchestra Conductor Score & Parts

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Christmastime in Russia Cover Image

Christmastime in Russia: String Orchestra Conductor Score & Parts

Traditional / arr. Elena Roussanova Lucas

Grade: 3

Item: 00-26635

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Description
"The Little Forest Christmas Tree," "The Manger" and "Snowfall Blowing Along the Street" were familiar songs during the Christmas season when Elena Roussanova Lucas was growing up in Russia. An exquisitely crafted and heartfelt arrangement of these three traditional Russian holiday tunes genuinely reflects the composer's memories of Christmastime in Russia. This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Christmastime in Russia: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Belwin Intermediate String Orchestra
Publisher: Alfred Music
Page Count: 72
UPC: 038081299624
SKU: 00-26635

More about this title

About the Arranger: Elena Roussanova Lucas

Elena Roussanova Lucas

Elena Roussanova Lucas grew up in Moscow, beginning piano studies at age three and entering the prestigious Central Music School's child prodigy program. She went on to study at the Tchaikovsky Conservatoire of Music, earning the Red Diploma (Summa Cum Laude) in Composition, Music History, Music Theory, and Instrumentation under the mentorship of renowned composers Tihon Khrennikov and Tatiana Choodova.

Before her work in composition, Lucas earned a diploma in Piano Pedagogy and Piano Accompaniment from the Ippolitov-Ivanov Music College/Academy of Music. A member of the United Russian Composers Union, her works have been performed by major Russian orchestras including The Tchaikovsky State Orchestra of Moscow and The Russian National Orchestra, as well as ensembles across the United Kingdom, the Netherlands, and the United States. She has taught at Boston University and presented a masterclass in composition at the Tchaikovsky Conservatoire in 2003.

Why we love this

This arrangement brings authentic Russian Christmas traditions to your string orchestra without sacrificing musicality or accessibility. Lucas's intimate knowledge of these songs from her own childhood gives the writing genuine warmth; you can hear the nostalgia in every phrase while the Grade 3 scoring keeps parts manageable for intermediate players. It's the kind of piece that transports both performers and audiences to another place and time.

What to expect

The music carries the quiet beauty and gentle melancholy of Russian winter. Each of the three songs unfolds with lyrical warmth, evoking candlelit rooms and snowy landscapes through transparent orchestration that lets the melodies shine. The arrangements honor the folk character of the original tunes while adding orchestral depth.

Who it's for

String orchestras at the intermediate level looking for repertoire that combines cultural authenticity with strong ensemble cohesion. Directors preparing winter concerts will find three beloved Russian melodies that engage audiences and offer students meaningful musical storytelling alongside technical growth.

How to get the most out of it

  • Allow the melodic lines to breathe expressively; these folk melodies rely on lyrical phrasing rather than technical display, so focus your ensemble on singing through the phrases with a warm, connected tone.
  • Balance the parts so that primary melodic material (often in violins) comes forward clearly while inner voices provide harmonic foundation without drowning out the tune.
  • Use the tempo markings and key changes between the three songs as distinct musical chapters; slight ritardandos at section transitions help audiences recognize the shift to new material.

How to use it

Program this as a complete winter concert sequence, allowing the three contrasting songs to stand as a unified set that showcases your string section's musicality and cultural range. It pairs well alongside other holiday repertoire and works equally effectively as a standalone concert feature or as part of a broader program exploring world music traditions.

Skills your students will build

  • Sustaining long, lyrical phrases with consistent tone quality
  • Balancing melody and accompaniment in ensemble texture
  • Responding to tempo and key changes between contrasting sections
  • Playing with expressive rubato while maintaining ensemble unity
  • Reading parts that reflect orchestral voice independence

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