Christmas Is Here: 2-Part Choral Octavo
Words and music by Mary Donnelly and George L. O. Strid
Item: 00-PO-0007853
Minimum order quantity: 20 copies
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About the Composer: Mary Donnelly

Mary Donnelly grew up in Reno, Nevada, and initially pursued studies in English and French at the University of Nevada, Reno. While still an undergraduate, she discovered her passion for music education by helping to establish two children's choruses, a experience that led her back to school for music certification. She earned a Master's Degree in Education from Lesley College in Cambridge, Massachusetts, where she focused on integrating the arts across the curriculum.
Donnelly spent thirty years teaching general music and choir in elementary and middle schools throughout Washoe County, Nevada. In 1985, she began collaborating with composer George L. O. Strid during a sixth-grade team-teaching assignment, and their partnership has since produced over two hundred songs and twenty-five musicals. She is an active member of ACDA, NEA, and ASCAP, and currently resides in Reno with her husband.
Why we love this
Donnelly and Strid have crafted a carol that moves at exactly the pace your choir needs during concert season. The voice leading sits naturally, intervals stay manageable, and the counterlines add harmonic color without demanding careful part separation, making this a genuine quick-study that doesn't sacrifice musical substance.
What to expect
Bright and nostalgic at once, this carol wraps traditional holiday warmth in language that feels genuine rather than saccharine. The melody flows with the ease of a beloved song you already know, while the counterline adds gentle dimension without complicating the mood.
Who it's for
This octavo serves choirs with newer singers who are just building confidence in 2-part singing, as well as experienced groups facing tight December rehearsal schedules. It works equally well for mixed-voice choirs and treble choirs with the flexibility its straightforward part writing allows.
How to get the most out of it
- Balance the melody and counterline by asking singers to listen across the room rather than focusing only on their own part; this creates blend without one line disappearing.
- Take advantage of the recorded accompaniment to anchor rhythms during early rehearsals, then gradually reduce reliance on it as singers internalize their lines.
- Shape the text naturally around the festive imagery; let the 'evergreens and holly' lyrics breathe as a musical list rather than rushing through them.
How to use it
Program this as an opener to set a festive tone early in your concert, or position it between more complex pieces to give both singers and audience a moment of genuine ease. Its modest length and joyful character make it ideal for holiday community events where accessibility matters as much as artistry.
Skills your students will build
- Reading 2-part harmony with small intervallic leaps
- Maintaining independent lines while blending with other voices
- Interpreting seasonal text with appropriate phrasing and energy