Christmas Instrumental Solos: Carols & Traditional Classics Cover Image

Christmas Instrumental Solos: Carols & Traditional Classics: French Horn Book & CD

$10.99 USD
Sale price  $10.99 USD Regular price 
Skip to product information
Christmas Instrumental Solos: Carols & Traditional Classics Cover Image

Christmas Instrumental Solos: Carols & Traditional Classics: French Horn Book & CD

Arr. various

Level: 2-3

Item: 00-IFM0232CD

$10.99
Shipped

One moment…

Description
This collection is full of heartwarming melodies loved by all, from classic folk songs to hymns and classical works. In addition to the single titles, there are three medleys and two suites. The included CD has both demonstration tracks featuring real instrument recordings and fully orchestrated play-along tracks. Titles: Gesù Bambino (The Infant Jesus) * O Holy Night * Lo, How a Rose E'er Blooming * and more. This collection features several special medleys: Carol Medley * Angels Medley * Manger Medley * Celebration Medley * and more. Level 2--3.

Christmas Instrumental Solos: Carols & Traditional Classics: French Horn Book & CD isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7579-9735-X
ISBN13: 978-0-7579-9735-8
UPC: 654979045441
SKU: 00-IFM0232CD
Instrumentation: French Horn

More about this title

Why we love this

Horn players at this level rarely get a collection this substantial, and the medley structure gives your students a chance to experience stylistic variety without the burden of learning dozens of separate pieces. The pairing of demonstration and play-along tracks means players can hear how the part sits in a full orchestral texture, which builds listening skills and intonation awareness that isolated practice alone won't develop.

What to expect

Warm and reflective, with the kind of melodic accessibility that lets you focus on tone production and musical phrasing rather than technical challenges. Each carol invites the horn to sing in a register where the instrument sounds full and expressive, from gentle devotional moments to moments of quiet triumph.

Who it's for

Horn players in the early intermediate stage who are ready to tackle longer phrases and varied styles but benefit from the scaffolding of familiar melodies. This collection works equally well for solo recital preparation, holiday concert programming, or ensemble reading sessions where multiple horns can share the same part.

How to get the most out of it

  • Listen to the demonstration track before rehearsing so you internalize the phrasing and stylistic intent of each carol rather than reading it cold off the page.
  • Use the play-along tracks in rehearsal to lock the tempo and balance your sound against the orchestration; the accompaniment often carries harmonic context that shapes your interpretation.
  • In the medleys, mark breath points clearly during the first run-through so transitions between carols feel intentional and connected rather than choppy.
  • Pay attention to dynamic shaping on sustained notes, especially in hymn-style arrangements where a single pitch can last several measures; the orchestral context will help guide your phrasing.

How to use it

Build a holiday concert around these pieces by pairing solos or medleys with your ensemble's larger seasonal works, creating a mixed format that lets featured hornists shine without requiring them to compete with full band arrangements. The medleys are especially useful for filling longer performance slots while keeping rehearsal time manageable since each medley counts as multiple pieces.

Skills your students will build

  • Lyrical phrasing over sustained harmonic accompaniment
  • Intonation control in hymn-like, slower tempos
  • Melodic interpretation and rubato without losing ensemble cohesion
  • Reading and performing with recorded accompaniment
  • Transitional playing within medley formats

You May Also Like