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Christmas Eve (Version I): Mixed Voices (SSSAAATTBBB, handbells

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Christmas Eve (Version I) Cover Image

Christmas Eve (Version I): Mixed Voices (SSSAAATTBBB, handbells

By Eriks Ešenvalds/Words by Christina Rosetti

Item: 98-MB4037

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Description
A brand new Christmas work for choirs from Latvian choral composer Eriks Ešenvalds. Setting this thoughtful text by Rosetti, Ešenvalds encourages us to consider the deeper meaning of Christmas. A wonderful new addition for choirs of high quality original contemporary choral music for the holiday period. Utilizes handbells. Two versions available.

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Additional Details
Publisher: Musica Baltica
ISBN10: 0-265-03590-2
ISBN13: 979-0-265-03590-9
SKU: 98-MB4037

More about this title

About the Composer: Eriks Ešenvalds

Eriks Ešenvalds is one of Latvia's most performed contemporary composers, with a catalog that spans choral, orchestral, and chamber works. His music is rooted in Baltic musical traditions while embracing modern harmonic language, and his choral works in particular have found audiences across Europe and North America. He has a gift for setting texts with profound simplicity, allowing meaning to emerge through carefully layered voices and transparent orchestration.

Why we love this

Ešenvalds brings genuine substance to holiday programming without relying on nostalgia or sentimentality. The integration of handbells adds a distinctive sonic layer that elevates the work beyond typical seasonal fare, and the expanded voicing (SSSAAATTBBB) rewards choirs with strong soprano and alto sections. This is the kind of contemporary carol that feels both fresh and essential, the piece you'll return to year after year.

What to expect

Introspective and luminous. The piece creates space for reflection on Christmas beyond the commercial surface, with the handbells providing an almost crystalline quality that feels both intimate and transcendent. There's a sense of quiet reverence throughout.

Who it's for

Advanced choirs with secure soprano and alto sections and access to a handbell ensemble or skilled handbell musicians. This work assumes strong music reading skills and the ability to balance complex, modern harmonies.

How to get the most out of it

  • Balance the handbell part as an integral voice rather than accompaniment. The bells should cut through clearly but never overwhelm the choir's text delivery.
  • The expanded voicing creates opportunities for color changes and dynamic sculpting. Explore what happens when you thin the texture to three or four voices before building back to full force.
  • Ešenvalds' texts deserve careful diction work. Ensure your ensemble shapes phrases around the meaning of Rosetti's words rather than musical cadences alone.

How to use it

Position this as the centerpiece of a Christmas concert devoted to contemporary sacred music, or use it to shift the emotional arc of a traditional holiday program toward deeper spiritual ground. The work pairs well with Renaissance carols or other meditative seasonal pieces.

Skills your students will build

  • Singing in expanded soprano and alto divisi while maintaining blend
  • Balancing choir texture against instrumental (handbell) parts in real time
  • Interpreting modern harmonic language and non-functional chord progressions
  • Shaping lyrical phrases through text meaning rather than cadential points

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