Christmas Eve/Sarajevo 12/24 Cover Image

Christmas Eve/Sarajevo 12/24: Concert Band Conductor Score

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Christmas Eve/Sarajevo 12/24 Cover Image

Christmas Eve/Sarajevo 12/24: Concert Band Conductor Score

As Performed by Trans-Siberian Orchestra

Music by Paul O'Neill and Robert Kinkel / arr. Bob Phillips and George Megaw

Grade: 3 (Medium Easy)

Item: 00-42217S

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Description
As seen in the mind-boggling Trans-Siberian Orchestra stage show! This thought-provoking medley of Christmas tunes describes a lone performer playing Christmas carols in the midst of the Bosnian war. The piece reflects the power, drama, and hope of a single musician in the midst of war, reflecting on the power of music to bring hope. The rock rhythm section contributes to an intense and very hip musical experience. Perhaps this can inspire a field trip to see the band live with lights and effects. (3:15)

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Additional Details
Series: Pop Concert Band
Publisher: Alfred Music
Page Count: 32
ISBN10: 1-4706-5531-4
ISBN13: 978-1-4706-5531-0
UPC: 038081479545
SKU: 00-42217S

More about this title

About the Composer: Paul O'Neill

Paul O'Neill is a composer and creative force behind the Trans-Siberian Orchestra, the theatrical rock band known for elaborate stage productions that blend classical instrumentation with contemporary energy. His approach to composition prioritizes narrative and spectacle, crafting works that function as both musical experiences and storytelling events. O'Neill's ability to weave thematic material through rock and orchestral textures has made his arrangements staples in concert band and wind ensemble repertoires.

Why we love this

This arrangement captures the raw emotional core of the TSO phenomenon without requiring the full theatrical production. The medley structure gives your band a manageable entry point into rock-influenced concert band repertoire while the narrative about music's power to transcend conflict resonates with audiences of all ages. Grade 3 accessibility means the piece stays in reach for most programs while still delivering the dramatic arc and contemporary sound that keeps students engaged.

What to expect

The piece opens with intimate vulnerability as Christmas melodies emerge against sparse accompaniment, then builds into something visceral and urgent as rock elements intensify. There's a profound contrast between the tender familiarity of the carols and the driving, modern rhythm section that creates an emotional tension at the heart of the work.

Who it's for

Concert band directors seeking meaningful winter programming that speaks to student musicians beyond traditional holiday fare. Bands comfortable with rock-influenced idioms and looking to program a piece with narrative weight and contemporary appeal will find rich material here.

How to get the most out of it

  • Lock the rock rhythm section early and thoroughly. The groove underpins everything; once the drums, bass, and percussion settle into the pocket, the melodic voices sit naturally on top.
  • Balance the Christmas carol melodies so they sing through the supporting textures. These familiar tunes are your emotional anchor and should always be perceptible to the audience.
  • Shape the dynamic arc across the full 3:15 length. This piece builds in intensity; conductor control of crescendos and diminuendos determines whether listeners experience the arc as inevitable or manufactured.
  • Attend to the articulation in rock sections with precision. Clean attacks and releases in the rhythm section and accompaniment parts give the piece its contemporary energy.

How to use it

Pair this with traditional holiday selections to show the full spectrum of winter music available to your ensemble. The piece works equally well as a concert closer (the narrative arc gives natural dramatic weight to an ending) or as a centerpiece that contextualizes your entire program around music's human significance.

Skills your students will build

  • Maintaining groove and subdivision in rock rhythms
  • Balancing melody against contemporary accompaniment textures
  • Reading and executing syncopated rhythmic patterns common in pop and rock styles
  • Shaping long-form narrative arcs across a multi-section medley
  • Articulation and phrasing in non-classical contexts

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