Christmas Eve/Sarajevo 12/24 Cover Image

Christmas Eve/Sarajevo 12/24: Concert Band Conductor Score & Parts

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Christmas Eve/Sarajevo 12/24 Cover Image

Christmas Eve/Sarajevo 12/24: Concert Band Conductor Score & Parts

As Performed by Trans-Siberian Orchestra

Music by Paul O'Neill and Robert Kinkel / arr. Bob Phillips and George Megaw

Grade: 3 (Medium Easy)

Item: 00-42217

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Description
As seen in the mind-boggling Trans-Siberian Orchestra stage show! This thought-provoking medley of Christmas tunes describes a lone performer playing Christmas carols in the midst of the Bosnian war. The piece reflects the power, drama, and hope of a single musician in the midst of war, reflecting on the power of music to bring hope. The rock rhythm section contributes to an intense and very hip musical experience. Perhaps this can inspire a field trip to see the band live with lights and effects. (3:15)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Christmas Eve/Sarajevo 12/24: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Concert Band
Publisher: Alfred Music
Page Count: 264
ISBN10: 1-4706-5530-6
ISBN13: 978-1-4706-5530-3
UPC: 038081479538
SKU: 00-42217

More about this title

About the Composer: Paul O'Neill

Paul O'Neill is the creative force behind Trans-Siberian Orchestra, the theatrical rock band known for elaborate stage productions that blend classical music, rock, and visual spectacle. As a composer and lyricist, O'Neill has crafted concept albums and live shows that tell stories through music, often exploring themes of hope, conflict, and human connection. His work has introduced millions of listeners to the intersection of orchestral and contemporary popular music.

O'Neill's compositions for TSO are designed to work across multiple formats: concert halls, outdoor amphitheaters, and arena stages with full production design. His arrangements prioritize emotional storytelling while maintaining accessibility for both concert and educational ensembles.

Why we love this

This arrangement captures the theatrical power of Trans-Siberian Orchestra's original concept without requiring lights, pyrotechnics, or a cast of characters. Your band gets to own the narrative: the tension between war and music, the vulnerability of a solo performer, and the redemptive force of melody. It's a showpiece that directors program because students remember it, audiences feel it, and it sits at a manageable Grade 3 difficulty that doesn't compromise the impact.

What to expect

Urgent and introspective, with moments of quiet beauty interrupted by rock energy. The piece conveys solitude and defiance simultaneously, as if a single musician is choosing hope in the face of chaos. The familiar warmth of Christmas carols collides with driving rhythm and minor-key arrangements, creating a piece that feels both contemporary and deeply human.

Who it's for

Concert bands at the intermediate level who want a substantial winter program piece with genuine contemporary appeal. This works for ensembles that have competent rock musicians (electric bass and drums) or can adapt the rhythm section parts to acoustic instruments. It's equally valuable for high school bands building audience engagement and middle school programs looking to perform something their students actually want to play.

How to get the most out of it

  • Balance the rock rhythm section (drums, bass, electric guitar) so it drives the energy without overwhelming the melodic lines. These parts carry the piece's contemporary sound, but the Christmas carols must remain audible.
  • Shape the dynamic arc carefully across the full 3:15 length. The medley builds intensity as it develops, so resist the urge to play loudly throughout. Reserve your forte and fortissimo moments for structural peaks.
  • Allow the piece's emotional shift to breathe. The contrast between the folk-like simplicity of the carol melodies and the intense rock accompaniment is the whole point; lean into that tension rather than smoothing it away.
  • Pay attention to the conductor score's cues for the rock elements. If your rhythm section is less experienced, rehearse those parts separately so they lock together before integrating with the full band.

How to use it

This works as a centerpiece for a winter concert that balances traditional holiday repertoire with modern storytelling. Program it alongside classical arrangements of carols to highlight the contrast, or use it as a statement piece that closes the first half and shifts the concert's emotional tone. It's also a natural choice if your school or community is hosting a Trans-Siberian Orchestra screening or discussion about music's role in times of crisis.

Skills your students will build

  • Balancing rock rhythm section parts with melodic lines in a mixed ensemble
  • Sustaining intensity across a longer medley format (3:15) without fatigue or loss of focus
  • Executing stylistic shifts between lyrical carol passages and driving rock accompaniment
  • Maintaining precision with electric instruments (guitar, bass, drums) in a concert band context
  • Understanding programmatic storytelling through instrumental music

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