Christmas Eve/Sarajevo 12/24 Cover Image

Christmas Eve/Sarajevo 12/24: Full Orchestra Conductor Score

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Christmas Eve/Sarajevo 12/24 Cover Image

Christmas Eve/Sarajevo 12/24: Full Orchestra Conductor Score

As Performed by Trans-Siberian Orchestra

Words and music by Paul O'Neill and Robert Kinkel / arr. Bob Phillips

Grade: 3

Item: 00-41236S

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Description
As seen in the mind-boggling Trans-Siberian stage show! This thought-provoking medley of Christmas tunes describes a lone cellist playing Christmas carols in the midst of the Bosnian war. The piece reflects the power, drama, and hope of a single musician in the midst of war, reflecting on the power of music to bring hope. Similar to the popular string arrangement, this full orchestra setting includes a rock rhythm section that contributes to an intense and very hip musical experience. Perhaps include a field trip to see the band live with lights and effects. This title is available in MakeMusic Cloud.

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Additional Details
Series: Pop Concert Full Orchestra
Publisher: Alfred Music
Page Count: 20
UPC: 038081480190
SKU: 00-41236S

More about this title

About the Composer: Paul O'Neill

Paul O'Neill founded Trans-Siberian Orchestra in 1996 and has served as the ensemble's primary composer and creative force. His work blends classical music foundations with rock instrumentation and theatrical storytelling, creating large-scale productions that have become winter touring staples across North America.

Why we love this

This arrangement gives orchestras access to one of the most recognizable modern holiday pieces while maintaining the dramatic narrative that makes it powerful. The rock rhythm section and full orchestration create an intensity that engages both musicians and audiences in ways standard holiday repertoire rarely achieves. Conductors appreciate how the structure balances technical demands with genuine musical storytelling.

What to expect

Urgent and introspective by turns. The piece carries the weight of its subject matter, pairing familiar Christmas melodies with minor-key reharmonizations and a driving rhythm that suggests struggle and resilience. There's genuine emotional depth here, not seasonal decoration.

Who it's for

Orchestra directors seeking repertoire that connects with student musicians and audiences through contemporary storytelling rather than traditional holiday arrangements. This score works for advanced middle school ensembles through community orchestras that embrace rock and popular music styles.

How to get the most out of it

  • Balance the rock rhythm section carefully so the percussion and bass guitar enhance rather than overshadow the melodic and harmonic voices. This piece lives in the space between symphonic and contemporary idioms.
  • Shape the medley transitions deliberately. Each carol shift carries narrative weight, so mark these moments clearly in rehearsal and let the ensemble breathe between sections.
  • Coordinate dynamics with your string players and woodwinds to support the dramatic peaks. The conductor score reveals where the arrangement builds intensity through orchestration density rather than just volume.
  • Rehearse the rock elements (drums, bass guitar, any electric instruments) as a tight unit before integrating them with the full orchestra. Their precision sets the rhythmic foundation for everything else.

How to use it

Program this as the centerpiece of a winter concert that explores music's role in human experience rather than a purely holiday show. The narrative arc works well when paired with contrasting repertoire—perhaps a traditional carol arrangement before it and contemporary instrumental music after. Consider a staged or multimedia presentation to enhance the storytelling, or use it as a springboard for discussions about music and social impact with your student musicians.

Skills your students will build

  • Reading and executing rock rhythm notation and syncopation across mixed meter sections
  • Balancing sectional sound across orchestral and contemporary rock ensemble textures
  • Shaping long melodic lines while maintaining rhythmic precision with an unfamiliar rhythm section
  • Responding to dramatic dynamic and orchestration shifts that serve narrative rather than purely musical phrasing
  • Ensemble cohesion across disparate instrumental families working in unfamiliar stylistic territory

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