Christmas Eve/Sarajevo 12/24 Cover Image

Christmas Eve/Sarajevo 12/24: String Orchestra Conductor Score

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Christmas Eve/Sarajevo 12/24 Cover Image

Christmas Eve/Sarajevo 12/24: String Orchestra Conductor Score

As Performed by Trans-Siberian Orchestra

Music by Paul O'Neill and Robert Kinkel / arr. Bob Phillips

Grade: 3.5

Item: 00-33755S

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Description
As seen in the mind-boggling Trans-Siberian stage show! This thought-provoking medley of Christmas tunes describes a lone cellist playing Christmas carols in the midst of the Bosnian war. The piece reflects the power, drama, and hope of a single musician in the midst of war, reflecting on the power of music to bring hope. The rock rhythm section contributes to an intense and very hip musical experience. Perhaps include a field trip to see the band live with lights and effects.

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Additional Details
Series: Pop Concert String Orchestra
Publisher: Alfred Music
Page Count: 16
ISBN10: 1-4706-5817-8
ISBN13: 978-1-4706-5817-5
UPC: 038081396545
SKU: 00-33755S

More about this title

About the Composer: Paul O'Neill

Paul O'Neill founded Trans-Siberian Orchestra in 1996 and has served as the ensemble's creative force, composing and producing their most recognizable works. His background in rock music production and theatrical storytelling shaped TSO's signature approach: ambitious narrative-driven albums that blend classical instrumentation with contemporary energy. O'Neill's work brought rock opera sensibilities to the holiday music canon, creating pieces that resonate with audiences far beyond traditional classical venues.

Why we love this

This score captures something genuinely rare in school string orchestra repertoire: a piece that speaks to young musicians' actual musical world while demanding real musicianship. The context matters as much as the notes. Students understand they're performing music born from a true story about resilience and the transcendent power of music itself, which transforms how they approach the performance.

What to expect

The piece moves between intimate, almost fragile moments of cello reflection and surges of dramatic power driven by rock rhythms and full ensemble unison. There's an undercurrent of tension beneath the familiar carol melodies, then gradual movement toward luminous resolution. The combination of classical string textures with modern percussion and rhythm section creates an emotional landscape that feels both contemporary and timeless.

Who it's for

String orchestra directors working at the intermediate-advanced level (Grade 3.5) who want their students to experience contemporary classical-rock fusion in a concert context. This score works equally well for ensembles preparing a winter concert or exploring how popular music structures interact with string writing.

How to get the most out of it

  • Establish the rock rhythm confidently in rehearsal before layering in melodic material. The percussive quality of pizzicato passages anchors the entire ensemble's sense of pulse and forward motion.
  • Shape the dynamic arc across the entire medley rather than treating each carol section as isolated. The tension builds deliberately from reflection toward hope, and conductors should map this trajectory across all 16 pages.
  • Balance the soloistic cello writing against the full ensemble sound. When the cellist emerges with Christmas melodies, the supporting voices should recede enough to create genuine spotlight, reinforcing the dramatic narrative.
  • Bring out the rock rhythm section's countermelodies and fills. These aren't accompaniment; they're part of the storytelling voice that separates this arrangement from traditional orchestrations.

How to use it

Program this as a centerpiece for a winter concert that balances traditional and contemporary repertoire. The theatrical context and dramatic arc make it especially effective as a set closer or as a standalone feature that justifies a brief spoken introduction about the Trans-Siberian Orchestra's live production. Consider pairing it with less demanding seasonal pieces to give students adequate rehearsal time for the technical and interpretive demands.

Skills your students will build

  • Executing rock-style rhythmic punctuation and syncopation in string parts
  • Balancing soloistic features (cello) against ensemble texture
  • Reading and conducting mixed ensemble textures (strings plus rock rhythm section)
  • Sustaining musical narrative across a medley structure
  • Projecting rhythmic clarity while maintaining lyrical expression in sustained passages

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