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Christmas Duets for All: Percussion Book

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Christmas Duets for All Cover Image

Christmas Duets for All: Percussion Book

Holiday Songs from Around the World

Arr. William Ryden

Item: 00-EL9565

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Description
This collection of 26 holiday songs and carols can be played together in harmony by any number or combination of instruments. Woodwinds, brass, strings, and mallet percussion can have fun playing in like instrument ensembles and get creative with any mixed ensemble. They are also outstanding tools for auditions, sight reading, and learning the art of ensemble playing.

Titles: The Sleep of the Child Jesus * The Angels and the Shepherds * Unto Us Is Born a Son * A Child This Day Is Born * O Come, O Come, Emmanuel * It Came Upon a Midnight Clear * Silent Night * O Christmas Tree (O Tannenbaum) * O Sanctissima * I Saw Three Ships * O Come, All Ye Faithful * Tell Us Wisemen * O Little Town of Bethlehem * The Babe in Bethlehem's Manger Laid * Deck the Halls * The New Born Babe * Good King Wenceslas * What You Gonna Call Your Pretty Little Baby? * Fum, Fum, Fum! * Hark! What Mean Those Holy Voices? * Masters in This Hall * Born Today Is the Child Divine (Il Est Ne) * Rocking * March of the Three Kings * A La Media Noche * PataPan.

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Additional Details
Series: For All Series
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7692-5552-3
ISBN13: 978-0-7692-5552-1
UPC: 029156186550
SKU: 00-EL9565
Instrumentation: Percussion

More about this title

Why we love this

Ryden has crafted arrangements that let percussionists claim the melody rather than settle for accompaniment patterns. The flexibility to play duets with like instruments or mix ensembles means you're not locked into a single instrumentation concept, so the book adapts to your current percussion section strength. Twenty-six titles give you enough variety to program throughout the winter concert season without repetition.

What to expect

These arrangements honor the reverent, joyful character of traditional Christmas music while giving mallet players genuine melodic responsibility. The interplay between parts invites the kind of listening and response that makes ensemble playing feel like conversation rather than accompaniment.

Who it's for

Percussion sections ranging from beginners to intermediate players, whether you're building a duet program, preparing audition material, or looking for accessible ensemble work that doesn't require a full orchestra. Students who are still developing ensemble listening and blend skills will find these arrangements forgiving and musically rewarding.

How to get the most out of it

  • Lock in the rhythmic foundation between mallet players by rehearsing the parts as written before attempting any stylistic variations; the melody line and harmonic support need to sit together first.
  • Balance ensemble sound by listening across the mallets rather than within your own part; a marimba can easily overpower vibraphone if you're not conscious of dynamic matching.
  • Experiment with different mallet selections to shift the character of familiar carols, especially on vibraphone and chimes; a softer yarn mallet opens up dimension in arrangements you've heard many times before.
  • Use the duet format as a rehearsal strategy for uneven percussion numbers; pair experienced players with younger ones on the same arrangement to build leadership and listening skills simultaneously.

How to use it

Slot these into a winter concert as a percussion-focused feature that signals ensemble sophistication without requiring full instrumentation. The duet format also works beautifully in recital contexts where you're pairing percussionists of different levels or showcasing mallet versatility across a single set.

Skills your students will build

  • Balancing melody and harmony between equal voices
  • Listening to and matching tone quality across different mallet instruments
  • Reading and executing duet textures with precise rhythmic alignment
  • Interpreting phrasing and dynamic shape in familiar melodies
  • Adapting arrangements to available instrumentation without losing musical integrity

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