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Christmas Duets for All: Violin Book

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Christmas Duets for All Cover Image

Christmas Duets for All: Violin Book

Holiday Songs from Around the World

Arr. William Ryden

Item: 00-EL9562

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Description
This collection of 26 holiday songs and carols can be played together in harmony by any number or combination of instruments. Woodwinds, brass, strings, and mallet percussion can have fun playing in like instrument ensembles and get creative with any mixed ensemble. They are also outstanding tools for auditions, sight reading, and learning the art of ensemble playing.

Titles: The Sleep of the Child Jesus * The Angels and the Shepherds * Unto Us Is Born a Son * A Child This Day Is Born * O Come, O Come, Emmanuel * It Came Upon a Midnight Clear * Silent Night * O Christmas Tree (O Tannenbaum) * O Sanctissima * I Saw Three Ships * O Come, All Ye Faithful * Tell Us Wisemen * O Little Town of Bethlehem * The Babe in Bethlehem's Manger Laid * Deck the Halls * The New Born Babe * Good King Wenceslas * What You Gonna Call Your Pretty Little Baby? * Fum, Fum, Fum! * Hark! What Mean Those Holy Voices? * Masters in This Hall * Born Today Is the Child Divine (Il Est Ne) * Rocking * March of the Three Kings * A La Media Noche * PataPan.

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Additional Details
Series: For All Series
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7692-5555-8
ISBN13: 978-0-7692-5555-2
UPC: 029156186529
SKU: 00-EL9562
Instrumentation: Violin

More about this title

About the Arranger: William Ryden

William Ryden has built a career arranging repertoire that serves the practical needs of music educators. His work in the For All Series demonstrates a deep understanding of how to write accessibly without sacrificing musical integrity, making his arrangements a staple in school music programs across all levels.

Why we love this

William Ryden's arrangements respect the integrity of these beloved carols while making them genuinely playable in violin ensembles of any size. The flexibility to perform with like instruments or mix with other families means you're not locked into one instrumentation choice, and that's rare at this level of accessibility.

What to expect

These arrangements preserve the warmth and spiritual character of traditional carols while offering straightforward violin writing that never demands technical gymnastics. There's a sense of collaborative musicmaking here, where the emphasis falls on playing together rather than showing off.

Who it's for

Violin students building ensemble skills, whether they're playing in pairs or joining a larger mixed-instrument group. This collection is equally valuable for intermediate violinists preparing for auditions or evaluating their sight-reading accuracy.

How to get the most out of it

  • Balance the two violin lines by listening carefully to which part carries the melody at any given moment. Adjust dynamics so the primary voice emerges without the accompanying part disappearing.
  • Use the 24-page format as a strength: practice one or two carols per rehearsal rather than treating the whole collection as a single study. This pacing allows deeper engagement with each arrangement.
  • When mixing violin with other instruments, tune carefully before starting. The blend matters most in slower carols like 'Silent Night' and 'O Little Town of Bethlehem,' where intonation becomes immediately obvious.
  • Mark difficult passages in pencil during the first read. Second and third readings will be significantly smoother once sight-reading obstacles are identified.

How to use it

Incorporate individual carols into holiday concerts across several weeks of December rehearsals rather than massing them all together. The collection also serves beautifully as audition material; selecting one carol lets students demonstrate ensemble awareness, intonation control, and musical phrasing in a familiar context.

Skills your students will build

  • Reading and balancing two independent melodic lines
  • Adjusting intonation within a harmonic context
  • Interpreting dynamics in dialogue with ensemble partners
  • Sight-reading fluency across multiple keys and time signatures
  • Ensemble listening and blend in mixed-instrument settings

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