Chosen Kallah Mazel Tov Cover Image

Chosen Kallah Mazel Tov: String Orchestra Conductor Score & Parts

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Chosen Kallah Mazel Tov Cover Image

Chosen Kallah Mazel Tov: String Orchestra Conductor Score & Parts

Traditional Hebrew / arr. Deborah Baker Monday

Grade: 2

Item: 00-36011

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Description
"Mazel tov" has become a familiar term used for celebrations and well wishing, making a perfect combination with this popular folk tune, "Chosen Kallah," often heard at weddings and other special occasions. In this arrangement, all instruments get the melody. The accompaniment is full of rhythmic interest, providing great training for students in offbeats and syncopation. The final accelerando will bring the audience to their feet!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Chosen Kallah Mazel Tov: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Highland/Etling String Orchestra
Publisher: Alfred Music
Page Count: 124
UPC: 038081416403
SKU: 00-36011
Instrumentation: string

More about this title

About the Arranger: Deborah Baker Monday

Deborah Baker Monday

Deborah Baker Monday built her reputation over 25 years leading the Logan City orchestra program, which earned consistent recognition for excellence. A bassist herself, she studied composition at the University of Alabama and continued her advanced training at Louisiana State University, where she received the Chancellor's Award. Her doctoral coursework and performance experience with regional orchestras informed her work as a string specialist in the Logan City schools.

Monday has published more than 130 compositions and arrangements across seven publishing houses, earning the UtahASTA Composition Competition awards in 2006 and 2011. She received recognition from both the Utah ASTA and Utah MEA for her contributions to music education. Now retired from full-time teaching, she remains active as a guest conductor, clinician, and adjudicator, bringing her deep knowledge of string pedagogy and arranging to programs across the country.

Why we love this

Monday distributes the melody across your entire section, ensuring every student has something to own rather than doubling parts at this level. The rhythmic accompaniment patterns teach syncopation and offbeat awareness organically, building ensemble independence without requiring remedial rhythm work. An accelerando finale that actually lands musically creates the kind of moment audiences remember.

What to expect

The piece has the warmth and familiarity of a celebration you can already hear in your head, then adds rhythmic energy underneath that keeps the ensemble dancing. As the final accelerando builds, the cumulative energy of all voices moving together creates genuine excitement that translates directly to an audience.

Who it's for

This arrangement works for developing string orchestras ready to play with independence within a clear ensemble framework. Grade 2 difficulty keeps the technical demands reasonable while the textural richness keeps rehearsals engaging and the musical payoff substantial.

How to get the most out of it

  • Lock the rhythmic momentum in the accompaniment figures first. Once your second and third parts feel secure on the syncopated patterns, the soloists will have a solid foundation to breathe over.
  • Balance the melody line so it sits clearly above the texture. Since all instruments carry it at different moments, exaggerate the phrase shape slightly more than feels natural in sectional rehearsals.
  • Mark the accelerando in parts with subdivisions. Write in the tempo at each new marking so players understand they are gradually building momentum, not jumping suddenly.
  • Shape the accompaniment rhythms as if they are accompaniment, not solo lines. Slight dynamic pull-back on off-beat chords lets the main melody voice at any moment rise naturally.

How to use it

Program this early in a concert to establish ensemble energy and cultural breadth, or pair it with other folk traditions to highlight your string orchestra's versatility. The festival designation and upbeat closing make it ideal for spring concerts or community celebration performances where audience engagement matters as much as technique.

Skills your students will build

  • Reading and executing syncopated rhythmic patterns across the ensemble
  • Playing off-beat accompaniment figures with clarity and rhythmic precision
  • Balancing melody and accompaniment when melody roles shift between sections
  • Understanding and executing gradual tempo changes through accelerando
  • Sustaining musical energy while maintaining rhythmic independence

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