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Chorale Variants: Concert Band Conductor Score & Parts

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Chorale Variants Cover Image

Chorale Variants: Concert Band Conductor Score & Parts

On "Herzliebster Jesu"

By Todd Stalter, based on a hymn by Johann Cruger

Grade: 4 (Medium Difficult)

Item: 00-46673

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Description
"Chorale Variants" is cast more as a fantasia than a set of variations. The woodwind flourishes purposely infer what an organist might play while improvising on a chorale theme, and the full dynamic power of the wind band brings the piece to a passionate and vibrant close.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Chorale Variants: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Concert Band
Publisher: Alfred Music
Page Count: 280
UPC: 038081535302
SKU: 00-46673

More about this title

About the Composer: Todd Stalter

Todd Stalter

Todd Stalter built a legendary 34-year tenure as Director of Bands at Eureka High School in Illinois, where his ensembles dominated state competitions and earned invitations to perform at Orchestra Hall in Chicago and Walt Disney World. His Concert Band consistently achieved Superior ratings at Illinois High School Association contests, while his Marching Band claimed 16 Class 1A state championships and secured his induction into the Illinois State Marching Band Championships Hall of Fame.

Beyond the high school podium, Stalter has conducted All-State Bands in Georgia and Delaware, led numerous honor bands across the Midwest, and maintained an active schedule as an adjudicator and clinician. His original compositions for band and string orchestra appear regularly on state contest and festival programs nationwide and are featured in the GIA publication "Teaching Music Through Performance in Band." He holds degrees from Illinois State University in Music Education and Trumpet Performance, where he studied conducting with Dr. Stephen K. Steele.

Why we love this

Stalter treats the chorale as a vehicle for expressive storytelling rather than mechanical manipulation. The woodwind writing authentically captures the character of organ improvisation, while the full band's arrival delivers genuine emotional power without relying on bombast, making this ideal for directors seeking concert repertoire with both musical substance and audience impact.

What to expect

The piece unfolds like a cathedral organist's improvisation, beginning with intimate woodwind gestures that dance around a familiar hymn tune before the full wind band steps in to affirm and celebrate the melody. The journey feels contemplative yet inevitable, building toward a vibrant and full-throated conclusion that honors both the chorale's spiritual roots and the wind band's dramatic potential.

Who it's for

This work suits Grade 4 concert bands with solid fundamentals and the ensemble depth to balance delicate woodwind writing against full band textures. It's equally at home at festival competitions and evening concerts where the sacred context and musical substance will resonate with audiences.

How to get the most out of it

  • Balance the woodwind flourishes in the opening sections so they register as improvised color rather than competing solo lines; lean toward transparency and let the chorale melody anchor the harmonic exploration.
  • Shape the dynamic arc from the fantasia's quieter passages to the full band climax with intentional restraint at midpoint; avoid the temptation to build linearly, instead finding moments of repose that make the final section feel earned.
  • Encourage the woodwind players to listen deeply to the chorale harmonies beneath their figures; they're not playing ornamental runs but rather integral responses to the hymn tune, so phrasing should feel conversational.

How to use it

Program this at a concert devoted to sacred or seasonal themes, where it can anchor a set of contrasting hymn-based works. It also serves contest and festival settings well, offering judges a chance to hear how Stalter balances compositional craft with accessibility, and giving your students experience with the specific challenge of accompanying improvisation-like writing.

Skills your students will build

  • Balancing accompanying figures with featured melodies
  • Sustaining ensemble sound through sparse textures and transparent voicing
  • Responding dynamically and expressively to harmonic color and implied improvisation
  • Building climactic phrases from gradual layering rather than sudden changes

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