Choral Anthology 2 for Mixed Choir (SATB) Cover Image

Choral Anthology 2 for Mixed Choir (SATB): Choral Works (inc. Oratorios) SATB Book

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Choral Anthology 2 for Mixed Choir (SATB) Cover Image

Choral Anthology 2 for Mixed Choir (SATB): Choral Works (inc. Oratorios) SATB Book

By Eriks Ešenvalds

Item: 98-EP72446

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Description

A second collection of choral works by Latvian composer Eriks Ešenvalds, in association with Musica Baltica.

Contents:

  • Amazing Grace
  • Stars
  • Only in Sleep
  • In my Little Picture Frame
  • Long Road

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 48
ISBN10: 0-57-700360-7
ISBN13: 979-0-57-700360-3
SKU: 98-EP72446

More about this title

About the Composer: Eriks Ešenvalds

Eriks Ešenvalds is a Latvian composer whose choral writing has gained international recognition for its lyrical depth and accessibility. His works balance contemporary harmonic language with singable lines, making him a natural choice for choirs seeking music that sounds fresh without demanding extreme vocal ranges or technical gymnastics.

Why we love this

Ešenvalds writes for the voice in a way that feels genuinely grateful. These pieces sit well in the ensemble; the harmonies support the singers rather than fighting them. The collection spans different moods and text weights, giving you real variety for programming without requiring a separate pile of scores.

What to expect

These pieces inhabit a contemplative, luminous space. The harmonies feel open and sometimes gently unsettled in a way that draws listeners in rather than unsettles them. Ešenvalds favors transparency over density, letting text and individual lines breathe.

Who it's for

This book works for intermediate to advanced high school choirs and community ensembles comfortable with contemporary harmonic language. Directors looking for modern choral repertoire that doesn't require soloists or unusual voicings will find solid material here.

How to get the most out of it

  • Listen to the recorded accompaniments before rehearsal to absorb the harmonic color Ešenvalds intends; his writing often depends on a specific chordal relationship that clicks once you hear it.
  • Pay attention to text painting in pieces like 'Only in Sleep.' Ešenvalds uses subtle dynamic shifts and voiced changes to shape the emotional arc rather than obvious theatrical gestures.
  • Balance the melodic lines across voices carefully. His tendency toward four-part writing means each voice sings something meaningful; no one gets purely filler material to support the sopranos.

How to use it

Mix selections from this book into programs that need contemporary anchors alongside traditional repertoire. 'Amazing Grace' offers a way to program that familiar text with a completely modern harmonic palette, while the less-known pieces provide discovery moments that distinguish your concert from standard fare.

Skills your students will build

  • Reading contemporary harmonic language with extended chords and suspended resolutions
  • Balancing individual melodic lines within four-part writing
  • Shaping phrases using text expression rather than dynamic extremes
  • Responding to accompaniment support without over-relying on it

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