Choose Your Fighter Cover Image

Choose Your Fighter: String Orchestra Conductor Score & Parts

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Choose Your Fighter Cover Image

Choose Your Fighter: String Orchestra Conductor Score & Parts

From Barbie

Words and music by Michael Pollack, Amanda Koci, Madison Love and Henry Walter / arr. Chris M. Bernotas

Grade: 2.5

Item: 00-50775

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Description
This upbeat pop tune from the smash-hit movie Barbie has tons of energy and a catchy melody. The original version of Choose Your Fighter was performed by Ava Max, and this arrangement, by Chris M. Bernotas, captures all of the energy while being at an appropriate level for your string orchestra. (2:20)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Choose Your Fighter: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Intermediate String Orchestra
Publisher: Alfred Music
ISBN10: 1-4706-6668-5
ISBN13: 978-1-4706-6668-2
UPC: 038081585291
SKU: 00-50775

More about this title

Why we love this

Chris M. Bernotas has stripped away nothing essential from the original track, preserving that infectious pop energy while keeping the string writing accessible enough for a 2.5-level ensemble to execute cleanly. Your students get to play something genuinely contemporary and radio-friendly, not a classical piece dressed up in pop clothing.

What to expect

Bright, driving, and fun. The arrangement captures the playful confidence of the original without losing the contemporary pop edge that makes the tune instantly memorable. Your orchestra sounds current and energized.

Who it's for

String orchestras at the intermediate level who want repertoire that excites students because they recognize it. This works for ensembles ready to tackle rhythmic precision and clear articulation without needing complex bow techniques.

How to get the most out of it

  • Lean into the rhythmic pulse of the accompaniment parts; this piece thrives on ensemble cohesion rather than expressive rubato. Lock the violas and cellos together first, then layer in the violins.
  • The melody sits high and exposed in places. Rehearse the first violin line separately to build confidence before combining it with the full texture.
  • Balance the arrangement so the counter-melody (if present in your voicing) doesn't overshadow the main tune. Test this at half tempo to hear each line clearly.
  • Keep the overall tempo energy up through the 2:20 duration. Energy drop is the biggest risk in a pop tune this familiar.

How to use it

Program this as an energizer in a concert heavy on classical or traditional string repertoire, or pair it with other contemporary arrangements to show your ensemble's range. It's also effective as a finale that sends the audience out smiling.

Skills your students will build

  • Rhythmic precision in pop/rock idioms
  • Balancing melody and accompaniment texture
  • Maintaining consistent tempo and pulse across an ensemble
  • Playing with articulation and style in non-classical contexts
  • Reading and executing parts in a contemporary arrangement

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