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Chicken Reel: Full Orchestra, Ensemble Works Conductor Score

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Chicken Reel Cover Image

Chicken Reel: Full Orchestra, Ensemble Works Conductor Score

By Leroy Anderson

Item: 36-A600401

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Description
Including "Turkey in the Straw," "Chicken Reel" is among the two most well-known poultry-inspired folk tunes. Originally composed by Joseph M. (Michael) Daly in 1910, the novelty song turned folk song later became used commonly in early animated cartoons to depict farmyard activity. The dance tune was developed into this brilliant concert piece by Leroy Anderson (1908-1975) 1946, with touches of humor and unexpected rhythmical variations, which are the hallmarks of Anderson's musical style. Versions for orchestra and band are available from the publisher. Instrumentation: 2+Picc.2.2.2: 3Sax(AAT,opt.): 4.3.3.1: Timp.Perc(2-3): Str(9-8-7-6-5 in set).

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Additional Details
Series: Kalmus Leroy Anderson Orchestra Series
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-887785-8
ISBN13: 978-1-63-887785-1
UPC: 735816380137
SKU: 36-A600401
Instrumentation: 2+Picc.2.2.2: 3Sax(AAT,opt.): 4.3.3.1: Timp.Perc(2-3): Str(9-8-7-6-5 in set)

More about this title

About the Composer: Leroy Anderson

Leroy Anderson (1908-1975) was an American composer and conductor whose gift for orchestration and rhythmic invention made him one of the most frequently performed composers in the concert band and light orchestra repertoire. Working primarily in the mid-twentieth century, Anderson specialized in novelty pieces and popular orchestrations that combined sophisticated harmonic writing with infectious melodies and unexpected turns. His works remain staples of pops concerts and educational ensembles because they engage audiences while offering conductors and musicians genuine compositional substance.

Why we love this

Anderson's orchestration transforms this 1910 folk tune into something far more inventive than its simple source material suggests. The score gives every section a moment to shine while maintaining the tune's barnyard charm, and the rhythmic surprises and harmonic detours keep both players and audiences delighted. It's the kind of piece that builds ensemble cohesion through laughter and musical collaboration.

What to expect

Barnyard chaos with sophistication. The piece bounces with wit and unexpected harmonic colors, shifting between mischievous rhythmic figures and soaring melodic passages that give the folk tune genuine grandeur. You can almost hear feathers ruffled and the good-natured scramble of farmyard life, rendered through Anderson's elegant orchestration.

Who it's for

This conductor score is for orchestras, youth symphonies, and community ensembles seeking accessible concert repertoire that rewards careful preparation while entertaining audiences of all ages. The piece works equally well in educational settings and professional pops programming because it combines musical substance with immediate appeal.

How to get the most out of it

  • Balance the prominent woodwind and brass solos so they sing over the ensemble texture without losing the propulsive rhythmic foundation in the rhythm section and lower strings.
  • Shape the unexpected rhythmic variations with clarity; mark your subdivisions in early rehearsals so the orchestra feels the shift in pulse rather than stumbling through it.
  • Keep the tempo buoyant and consistent across the dance sections to maintain the folk tune's infectious forward motion.
  • Let the percussion's character shine in solo moments, but ensure timpani and mallets stay rhythmically aligned with the conductor's beat when they return to accompany the full ensemble.

How to use it

Program this alongside other American light music or pops favorites to create a concert that showcases orchestral color and humor. It works particularly well as an opening number to set an energetic, engaging tone, or as a closer that leaves audiences smiling. The piece is also an excellent choice for family concerts or educational demonstrations of orchestration.

Skills your students will build

  • Reading and executing unexpected rhythmic variations and meter shifts within a duple-meter framework
  • Balancing solo and tutti textures across multiple instrument families
  • Maintaining tempo and ensemble cohesion through orchestrational changes and sectional dialogue
  • Responding to a conductor's specific articulation and phrasing choices in light music contexts

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