Chicago (That Toddlin' Town): Jazz Ensemble Conductor Score & Parts

Alan Baylock's arrangement captures the swagger of Fisher's original while reimagining it as a funky swing vehicle perfect for opening a jazz ensemble concert. The chart balances accessibility with genuine groove, giving student soloists a chance to shine without overwhelming younger sections.

The piece moves with infectious buoyancy, all swinging eighths and hip rhythmic punctuation. It has the warmth of a well-loved standard but the edge of modern funk groove, never precious or stiff.

Jazz ensembles at the Grade 3.5 level will find this a confident opener for concerts or festivals. It works equally well for groups seeking an approachable funk chart with solo opportunities that build confidence in young improvisers.

• Lock the hi-hat and kick drum into that half-note=96 pulse early in rehearsals; the funky swing feel depends on rhythmic precision in the rhythm section.
• Coach your alto and trumpet 2 soloists on the written solos provided. These serve as training wheels and reference points, not restrictions; encourage them to develop personal interpretations once they own the form.
• Balance the lead trumpet range (up to B-flat above the staff) with careful voicing in the sax section so the melody cuts without shrillness.

Program this early in your concert setlist to establish energy and set a fun tone. It pairs naturally with other swing standards or funk-inflected pieces, and its mid-tempo groove provides a solid contrast to faster or slower selections elsewhere on your program.

• Swing eighth-note feel and half-note groove pulse at moderate tempo
• Solo improvisation and melodic interpretation in a structured lead sheet context
• Listening and lock between rhythm section (drums, bass) and ensemble harmony
• Lead trumpet range extension and projection without strain