Chicago! (from the Musical <I>Chicago!</I>) Cover Image

Chicago! (from the Musical <I>Chicago!</I>): Concert Band Conductor Score & Parts

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Chicago! (from the Musical <I>Chicago!</I>) Cover Image

Chicago! (from the Musical Chicago!): Concert Band Conductor Score & Parts

Featuring: My Own Best Friend / Razzle Dazzle / And All That Jazz

Words and music by Fred Ebb and John Kander / arr. Victor López

Grade: 3 (Medium Easy)

Item: 00-CBM01002

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Description
This Broadway sensation keeps drawing the crowds. Victor López has scored a home run with his fresh new medley of all of your favorite selections from the musical including: "My Own Best Friend," "Razzle Dazzle," and of course, "All That Jazz." Don't miss this new arrangement scored at the concert band level. It's hot. A certain audience pleaser. (4:18)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Chicago! (from the Musical Chicago!): Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Concert Band
Publisher: Alfred Music
Page Count: 372
ISBN10: 0-7579-3210-X
ISBN13: 978-0-7579-3210-6
UPC: 654979197874
SKU: 00-CBM01002

More about this title

About the Composer: John Kander

John Kander composed the score for Chicago! alongside lyricist Fred Ebb, creating one of Broadway's most enduring musicals. Their 1975 collaboration defined an era of theater music, blending jazz-inflected melodies with sophisticated harmonies that have made these songs standards in the musical theater repertoire. Kander's gift for writing memorable, singable lines within complex harmonic landscapes has made his work a natural fit for concert band arrangements.

Why we love this

Victor López's medley captures the swagger and sophistication of the original without losing the accessibility that makes Chicago! such a crowd-pleaser. Grade 3 scoring means your band gets genuine musical substance, not a dumbed-down version. The selection of "Razzle Dazzle," "All That Jazz," and "My Own Best Friend" gives you three distinct moods within one package, perfect for showcasing your ensemble's range.

What to expect

Sophisticated urban cool mixed with genuine warmth. The arrangement captures Chicago!'s signature blend of sleek, jazz-influenced sophistication and deeply human storytelling. You'll feel the theatrical swagger and melodic richness that made the original such a lasting hit.

Who it's for

Concert bands at the Grade 3 level who want contemporary pop material that actually has musical substance. Your audience will recognize these titles instantly, but your musicians will engage with real orchestration and harmonic interest. Ideal for groups seeking a sure-fire crowd favorite without sacrificing musicianship.

How to get the most out of it

  • Keep the jazzy passages conversational rather than rigid. The swing feel in "All That Jazz" needs space to breathe; lock the subdivision without letting it feel mechanical.
  • Balance ensemble clarity with the occasional spotlight moment. These songs thrive when section leaders understand their melodic responsibilities, especially during the lighter, more transparent passages.
  • Let the accompaniment shimmer under the soloistic writing. This arrangement rewards attention to inner voices and section balance rather than blunt dynamics.
  • Shape phrase endings deliberately. Broadway material lives in the details of how you resolve each musical thought, so avoid letting phrases drift or flatten at their conclusions.

How to use it

This works equally well as a finale or as a standalone "pops" concert centerpiece. The medley structure lets you program it knowing the arc will land; audiences love recognizing these melodies, and four minutes of pure Chicago delivers genuine entertainment value. Consider pairing it with other contemporary concert band material or as a coda to a more classical-focused program.

Skills your students will build

  • Jazz articulation and style (swing eighths, syncopated rhythms)
  • Balancing melodic clarity with ensemble blend in thick textures
  • Navigating moderate harmonic complexity at the Grade 3 level
  • Shaping musical phrases with attention to theatrical expression
  • Reading and executing style markings specific to Broadway idiom

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