Chebucto Rag Cover Image

Chebucto Rag: Brass Quintet Score & Parts

$15.00 USD
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Chebucto Rag Cover Image

Chebucto Rag: Brass Quintet Score & Parts

By E. F. Lloyd Hiscock

Level: Medium-Difficult

Item: 81-BQ23159

$15.00
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Description
This work is dedicated to the memory of James Henry Morris Eagar. He was born in Nova Scotia not far from Chebucto Head. He loved ragtime music. For nearly 40 years he visited and lived in the Algarve, Portugal. In the village he and his family frequented, Armacao de Pera, he was, for many years, the only Canadian there. His outgoing personality made him plenty of friends despite not ever speaking Portuguese. He became known as "Jimmy, The Canadian".

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
UPC: 685462001927
SKU: 81-BQ23159
Instrumentation: Brass Quintet

More about this title

Why we love this

Hiscock brings authentic ragtime idioms to the brass quintet format without sacrificing the ensemble's natural blend and color. The medium-difficult level keeps the technical demands manageable while preserving the syncopated complexity that makes ragtime satisfying to perform. This is festival-worthy repertoire that audiences genuinely enjoy hearing.

What to expect

Spirited and nostalgic, with the bright, propulsive energy of turn-of-the-century ragtime translated into brass sonority. The syncopated melodies dance over steady harmonies, creating a piece that feels both accessible and musically substantial.

Who it's for

Brass quintets preparing contest or festival performances and looking for stylistically rich, challenging works beyond the standard repertoire. This suits ensembles comfortable with syncopated rhythms and eager to explore early American vernacular music idioms.

How to get the most out of it

  • Lock in the rhythmic figures between the trumpet and lower voices; ragtime demands precision in the syncopated accompaniment patterns, and loose ensemble here undermines the style.
  • Shape the melodies with intent rather than rushing them; the syncopation should sit comfortably within a steady pulse, not pull against it.
  • Balance the trombone and French horn parts carefully so the harmony remains clear while the trumpet line lands properly forward.
  • Use the dynamic markings to create forward momentum through phrases; subtle swells on syncopated chords add life to what could otherwise sound static.

How to use it

Program this alongside contemporary brass works or Americana repertoire to showcase the breadth of the ensemble's stylistic range. Its memorial dedication and geographic roots make it especially fitting for Canadian ensembles or cultural programming that celebrates regional music traditions.

Skills your students will build

  • Syncopated rhythm reading and execution in ensemble context
  • Ragtime style interpretation and articulation
  • Balancing rhythmic independence across five voices
  • Sustained tone production in ensemble voicing
  • Stylistic flexibility beyond classical/romantic repertoire

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