Chanuke, Oi Chanuke Sheet Music Preview

Chanuke, Oi Chanuke: SATB Choral Octavo

Traditional Yiddish Melody / arr. Robert DeCormier / English text by Louise Dobbs

Level: Moderately Difficult

Item: 00-PO-0005116

Digital Download
$2.95

Minimum order quantity: 20 copies

Description
This is a remarkable and challenging concert work for the holiday season from Robert DeCormier. The included pronunciation guide will help assure correct use of the traditional Yiddish text. A welcome addition to choral repertoire for Hanukkah!

Chanuke, Oi Chanuke: SATB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Alfred Archive Edition: Lawson-Gould Music Publishers
Publisher: Alfred Music
Page Count: 16
SKU: 00-PO-0005116

More about this title

About the Arranger: Robert DeCormier

Robert DeCormier

Robert DeCormier brought together a distinguished career spanning classical music, folk traditions, and popular entertainment. A Juilliard graduate, he conducted the New York Choral Society for seventeen years, served as music director for Peter, Paul and Mary from 1978 to 2010, and arranged extensively for Harry Belafonte and countless others. His work ranged from spirituals to international folk songs, earning him recognition on major record labels and television credits including a CBS Emmy-winning special.

DeCormier's contributions to choral music extended beyond conducting and arranging. He taught conducting and ensembles at the Eastman School of Music, founded the professional vocal ensemble Counterpoint in Vermont, and helped establish the Vermont Symphony Orchestra Chorus. His lifetime of musical service was recognized with the Vermont Governor's Award for Excellence in the Arts and a Lifetime Achievement Award from the New England Choral Arts Foundation.

Why we love this

DeCormier's arrangement respects the integrity of this traditional Yiddish song while creating a sophisticated concert work worthy of an advanced choir. The included pronunciation guide removes barriers to authentic performance, ensuring singers can deliver the text with confidence and cultural sensitivity. Choirs looking to deepen their Hanukkah programming beyond standard selections will find this piece both musically rewarding and seasonally meaningful.

What to expect

The arrangement conveys both the joy and spiritual depth of the traditional Hanukkah song. DeCormier's harmonic palette likely blends folk authenticity with concert-hall sophistication, creating a piece that honors the song's heritage while offering modern choral singers a challenging and expressive vehicle. The text, sung in Yiddish, carries cultural weight and warmth.

Who it's for

This piece is designed for choirs at the high school and advanced community levels who can manage moderately difficult SATB writing and are ready to engage with cultural and linguistic specificity. Directors building a Hanukkah repertoire that moves beyond simplified arrangements will find this a substantial, concert-quality addition. Singers should be comfortable with sustained phrases and part independence.

How to get the most out of it

  • Study the pronunciation guide carefully during early rehearsals and return to it periodically; Yiddish vowels and consonants differ from English, and consistent attention will strengthen ensemble diction.
  • Balance the four voices so that the text remains clear throughout; SATB writing at this level often layers the melody across parts, requiring attentive blending rather than soloistic projection.
  • Let the harmonic language breathe; DeCormier's arrangement likely incorporates both traditional and contemporary harmonic colors, so give singers time to listen across the ensemble and adjust intonation accordingly.
  • Consider the emotional arc of the piece during interpretation; this is described as a challenging concert work, suggesting it demands more than technical precision from your singers and requires thoughtful phrasing and dynamic shape.

How to use it

Program this as a centerpiece of a winter holiday concert devoted to diverse faith traditions, where it can sit alongside secular winter songs and selections from other cultures. It also works effectively in a concert celebrating Jewish heritage and contemporary choral music. The 16-page score and moderately difficult level suggest this is a substantial work worthy of focused rehearsal time and strategic placement on the second half of your program.

Skills your students will build

  • Yiddish diction and pronunciation
  • Singing in non-English languages with cultural authenticity
  • SATB voice independence and blend in moderately complex writing
  • Sustaining phrase lines and managing breath across longer musical statements
  • Understanding and performing Jewish sacred and folk music traditions

You May Also Like