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Chanukah, Oh Chanukah: String Orchestra Conductor Score

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Chanukah, Oh Chanukah Cover Image

Chanukah, Oh Chanukah: String Orchestra Conductor Score

Arr. Deborah Baker Monday

Grade: 1

Item: 00-22313S

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Description
This sophisticated-sounding arrangement is a welcome addition to the multicultural holiday repertoire. Cello and bass parts are simple, using only six notes, and the violins and violas are given equal time with the melody. A fantastic selection if you need a change of pace for your next holiday concert.

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Additional Details
Series: Highland/Etling String Orchestra
Publisher: Alfred Music
Page Count: 8
UPC: 038081227900
SKU: 00-22313S

More about this title

About the Arranger: Deborah Baker Monday

Deborah Baker Monday

Deborah Baker Monday spent 25 years directing the Logan City orchestra program, an ensemble recognized for excellence throughout the region. She has since transitioned to guest conducting, clinical work, and mentoring, while maintaining an active composing and arranging practice. Her formal training includes a B.M.E. from Florida State University with emphasis in string education, an M.M. in composition from the University of Alabama, and advanced study at Louisiana State University. She has studied composition with Harold Schiffman, John Boda, Frederic Goossen, Paul Hedwall, and Dinos Constantinides.

Monday's catalog includes over 130 published works across seven publishing companies, with a particular focus on accessible arrangements and original compositions for educational strings. She has won the UtahASTA Composition Competition twice (2006 and 2011) and received recognition from both UtahASTA and UtahMEA for her contributions to music education. Her work as a clinician, adjudicator, and guest conductor has taken her to state conferences across the country, national ASTA conventions, The Midwest Clinic, and the Ohio State String Teachers Workshop.

Why we love this

This arrangement prioritizes genuine musical moments over technical display, giving every section a chance to carry the melody and making full ensemble participation feel natural and rewarding. The low strings' simple six-note writing means your beginning cellists and bassists play from day one without holding back the ensemble sound. Programming a piece that serves both your holiday calendar and your developmental goals is rare; this one does both.

What to expect

Warm and straightforward, with a melody that feels both familiar and fresh. The shared spotlight among sections creates an inclusive sound where no one instrument dominates, giving the piece a gentle, community-centered character that matches the spirit of the holiday.

Who it's for

String orchestras at the Grade 1 level, especially those seeking holiday repertoire that avoids clichéd arrangements and gives beginning players meaningful roles. This works equally well for ensembles that are culturally diverse or for any program intentionally building multicultural music experiences into the concert season.

How to get the most out of it

  • Balance the melody between violins and violas by rehearsing these sections separately first, then bringing them together so both parts feel equally supported by the harmony.
  • Let the cello and bass parts breathe despite their simplicity; they provide essential harmonic foundation, so their precision matters more than complexity.
  • Shape phrases with gentle dynamic shaping rather than dramatic contrasts; the piece's strength lies in its accessibility, not in virtuosic display.

How to use it

Pair this with other holiday selections to create a program that reflects your school community's diversity and traditions, rather than relying on the same secular standards year after year. It's equally at home as a winter concert opener or as a bridge between more demanding repertoire, giving your ensemble a moment to shine without strain.

Skills your students will build

  • Playing sustained melodic lines across multiple phrases
  • Balancing independent melodic voices (violins and violas) while maintaining ensemble cohesion
  • Reading within the Grade 1 range on each instrument with confidence
  • Understanding harmonic function through simple bass and cello parts

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