Chant du Menestrel, Op. 71 Cover Image

Chant du Menestrel, Op. 71: Full Orchestra, Solo Strings with Ensemble, Oversize Score

$26.00 USD
$26.00 USD
Skip to product information
Chant du Menestrel, Op. 71 Cover Image
Chant du Menestrel, Op. 71: Full Orchestra, Solo Strings with Ensemble, Oversize Score

Chant du Menestrel, Op. 71: Full Orchestra, Solo Strings with Ensemble, Oversize Score

By Alexander Glazunov

Item: 36-A319301OS
$26.00
Shipped

One moment…

Related Items

Chant du Menestrel, Op. 71: Full Orchestra, Solo Strings with Ensemble, Conductor Score

$12.00
View

Chant du Menestrel, Op. 71: Full Orchestra, Solo Strings with Ensemble, Conductor Score & Parts

$30.00
View

Chant du Menestrel, Op. 71: Full Orchestra, Solo Strings with Ensemble, Solo Violoncello Part

$1.50
View
Description
Chant du Ménestrel (Song of the Minstrel) is a short piece for solo cello and orchestra by Alexander Glazunov (1865-1936). Composed in 1901, it is dedicated to the solo cellist to the Tsar Alexander Wierzbilowicz. A version for cello and piano was also published. Despite its characterization as a salon piece, the work displays an emotional depth that outweighs its brevity. Instrumentation: 2+Picc.2.2.2: 2.0.0.0: Str (9.8.7.6.5 in set): Solo Vc in set. Reprint edition. 11x14 oversized full score.

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

Chant du Menestrel, Op. 71: Full Orchestra, Solo Strings with Ensemble, Oversize Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Request This Title

Tell us you want it.

Start Your Free Trial

Explore everything that's ready to play right now.
Sample Pages

No sample pages found.
Sample Audio
No sample audio found.
Sample Video
No sample videos found.
Additional Details
Series: Kalmus Oversized Score Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-898108-16-8
ISBN13: 979-8-898108-16-8
UPC: 612735581589
SKU: 36-A319301OS
Instrumentation: 2+Picc.2.2.2: 2.0.0.0: Str (9.8.7.6.5 in set): Solo Vc in set

More about this title

About the Composer: Alexander Glazunov

Alexander Glazunov (1865, 1936) stands as one of the last great Russian Romantic composers, a figure who bridged the nationalist fervor of his predecessors and the modernist currents emerging around him. A student of Rimsky-Korsakov and later director of the St. Petersburg Conservatory, Glazunov commanded the full orchestral palette with a lyricist's ear and wrote prolifically across symphonic, chamber, and ballet genres.

His output spans eight symphonies, five concertos, and numerous character pieces that showcase his gift for memorable melody and rich harmonic color. Though some contemporaries dismissed his work as conservative, Glazunov's best pieces reveal a composer entirely secure in his craft, unafraid to balance structural clarity with genuine emotional substance. For conductors and chamber musicians, his scores remain models of orchestration and instrumental writing.

Why we love this

Glazunov's command of orchestral color shines in this compact work, allowing conductors and orchestras to tackle a genuine concert piece rather than a study or compilation. The solo cello writing sits beautifully against the ensemble, creating natural opportunities for a strong principal cellist to shine while the rest of the orchestra supports rather than drowns out the dialogue. Its four-minute span fits program flow perfectly when you need a centerpiece that feels substantial without demanding a full 20-minute commitment.

What to expect

A minstrel's song, lyrical and introspective, that unfolds like a conversation between a soloist and gathering of friends. The cello sings with warmth and nostalgia while the orchestra creates a gently rolling backdrop of harmonic richness and orchestral color. Despite its brevity, the emotional landscape is spacious and unhurried.

Who it's for

Orchestras with a capable solo cellist seeking a Russian Romantic showpiece that demands musicianship without virtuosic extremes. This work suits both professional orchestras programming 20th-century salon music and advanced college or conservatory orchestras looking to develop ensemble balance and principal voice writing interpretation.

How to get the most out of it

  • Balance the solo cello voice carefully in the string sections; the accompaniment can easily overwhelm the soloist if the inner voices aren't kept transparent and restrained.
  • Work with your principal cellist on phrasing and rubato independent of the orchestra initially, then gradually integrate the ensemble so conducting points stay clear.
  • Shape the piece through dynamic peaks rather than relying solely on tempo shifts; Glazunov's harmonic language rewards subtle crescendos and diminuendos that unfold naturally.

How to use it

Pair this with larger symphonic works or concertos to create a program that showcases both the full ensemble and your principal cellist's musicianship. The piece's brief duration makes it an ideal bridge between a major work and a shorter encore, or a thoughtful opening statement that sets a reflective tone before moving into more dramatic repertoire.

Skills your students will build

  • Transparent orchestration and accompaniment texture when supporting a solo voice
  • Ensemble balance in mixed string and wind textures
  • Rubato and flexible phrasing across the full orchestra
  • Awareness of dynamic shaping as a structural and expressive tool

You May Also Like