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Chansons de Normandie: Wind Band Score

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Chansons de Normandie Cover Image

Chansons de Normandie: Wind Band Score

By Nigel Hess

Item: 12-0571571700

$15.99
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Description
Chansons de Normandie was commissioned by the Central Band of the Royal Air Force and premiered on BBC Radio 2 as part of their D-Day broadcast from the Royal Albert Hall, London on June 6th, 2014. This four-minute work is based on three traditional Normandy folk songs: Les Metamorphoses * Le marchand de velours * Le corselet. An ideal concert opener, the work is in a lively dance tempo with suggestions of Renaissance dance music. Arranged for wind band.

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Additional Details
Series: Faber Edition: Faber Wind Band Series
Publisher: Faber Music
ISBN10: 0-571-57170-0
ISBN13: 978-0-571-57170-3
UPC: 9780571571703
SKU: 12-0571571700
Instrumentation: Wind Band

More about this title

About the Composer: Nigel Hess

Nigel Hess is a British composer whose orchestral and band works blend accessibility with genuine musical substance. His output spans film, television, concert hall, and military band contexts; he has written for the BBC, won recognition for his film scores, and earned commissions from prestigious ensembles including the Central Band of the Royal Air Force.

Why we love this

Hess demonstrates real skill at building energy from folk material without losing the idiom's character. The work opens a concert with immediate charm and forward momentum while remaining musically substantial enough to engage both players and listeners.

What to expect

Brisk, spirited, and steeped in European folk character. The writing evokes the energy of Renaissance court dances while honoring the melody lines and spirit of Normandy's traditional music, creating an immediate sense of place and celebration.

Who it's for

Wind bands at intermediate level and above looking for a high-impact concert opener with genuine substance. Directors seeking works that land well with audiences while offering players meaningful musical content will find this piece reliably rewarding.

How to get the most out of it

  • Treat the three folk songs as distinct personalities within the dance form. Each tune has its own character; make clear sectional transitions so the audience hears the architecture.
  • Anchor the lively tempo with a rock-solid rhythmic foundation in the lower winds and percussion. Renaissance dance music lives in the groove.
  • Balance melody and accompaniment carefully in the woodwinds so the folk tunes sing above the harmonic texture without forcing.

How to use it

Open your concert with this four-minute work to establish momentum and goodwill from the first moment. It pairs naturally with other European folk-based repertoire or sits well before weightier works, serving as an ideal bridge between the audience's arrival and deeper listening.

Skills your students will build

  • Articulation clarity in fast-moving melodic passages
  • Ensemble balance between principal voices and supporting harmonic parts
  • Stylistic understanding of Renaissance dance idioms
  • Precision in rhythmic coordination at brisk tempos

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