Change Is Good: Jazz Ensemble Conductor Score & Parts

Goodwin writes with an ear for what works in rehearsal: the Latin straight-eighth groove here sits comfortably at 125 BPM, allowing your ensemble to lock in without rushing, while the mellow character keeps energy high without demanding breakneck virtuosity. The flexible voicing for C, B-flat, E-flat, and bass clef soloists means you'll use this chart year after year, accommodating different personnel and ability levels without compromising the arrangement's integrity.

Mellow and confident, with the unhurried swagger of a Latin rhythm that invites rather than demands. The straight-eighth groove at 125 BPM creates a warm pocket that feels both contemporary and grounded, making the ensemble sound like they've been playing together for years.

Jazz ensembles at the intermediate level (Grade 3.5) looking for a sophisticated yet approachable chart that won't require extensive sectional rehearsals to sound polished. Directors programming concerts that balance high-energy swing with moments of relaxed groove will find this piece especially useful for establishing variety without sacrificing musicianship.

• Lock the straight-eighth feel early in rehearsal by having the rhythm section establish the groove before adding melody and harmony parts; the Latin pocket at 125 BPM requires precision more than speed.
• Assign solos strategically based on your ensemble's strengths; the suggested written solos for multiple clefs mean you can feature different instruments across performances or let capable players choose their part.
• Balance the vibes and auxiliary percussion carefully so they enhance rather than compete with the ensemble's harmonic motion; these colors work best when they anchor the groove's forward motion.
• Bring out the lead trumpet's range to written G-sharp without forcing it; the chart's mellow character depends on restraint and control from the lead voice.

Pair this with a faster-paced swing chart to highlight the ensemble's range of stylistic control within a single concert set. Its five-minute-twenty-seven-second length makes it ideal for mid-program placement, where it can reset the audience's energy after a high-intensity opener or lead into a closing number with momentum.

• Latin straight-eighth feel and pocket playing at moderate tempo
• Solo improvisation and interpretation across multiple clefs (C, B-flat, E-flat, and bass)
• Ensemble balance with vibes and percussion integration
• Lead trumpet control and range development to written G-sharp
• Rhythmic precision and groove orientation in jazz ensemble context