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Celebre Tarantelle: Concert Band Conductor Score & Parts

$150.00 USD
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Celebre Tarantelle: Concert Band Conductor Score & Parts

By Louis Moreau Gottschalk / arr. Sebastian Anthony Birch

Grade: 5

Item: 36-10160003

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Description
New Orleans-born composer and pianist Louis Moreau Gottschalk's (1829-1869) Grand Tarantelle for Piano and Orchestra, Op. 67, was published in Paris after the composer's sudden death in Brazil in 1869. While no score for this 'moto perpetuo' work was found, the instrumentation used for this arrangement is based on parts located for the original orchestration. The piano part is the original composer's edition, while the band arrangement takes full advantage of the many colors of the concert band. The arrangement is well within the technical limits of good concert bands, so little rehearsal time with the soloist will be required.

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Additional Details
Series: LudwigMasters Symphonic Band
Publisher: Keiser Productions, Inc.
ISBN10: 1-57-134247-8
ISBN13: 978-1-57-134247-8
UPC: 676737705084
SKU: 36-10160003
Instrumentation: Detailed Instrumentation: Solo Piano and Concert Band

More about this title

About the Composer: Louis Moreau Gottschalk

Louis Moreau Gottschalk (1829-1869) was an American pianist and composer born in New Orleans who achieved international prominence during the nineteenth century. He studied in Paris, performed throughout Europe and the Americas, and became known for virtuosic keyboard works that blended Romantic pianistic technique with Caribbean and Latin American musical idioms. His compositions, many of them brilliantly idiomatic for solo piano, reflected his fascination with folk music and dance forms encountered during his extensive travels.

Gottschalk's career was marked by restless creativity and ambition. He composed over 100 works spanning operas, symphonies, and keyboard pieces, many of which remained unpublished or lost until long after his death in Rio de Janeiro in 1869. His legacy rests on a distinctive musical voice that merged European virtuosity with American and tropical influences, making him a bridge figure between the salon tradition and the emerging concert music of the New World.

Why we love this

Gottschalk's tarantelle pulses with infectious energy and authentic nineteenth-century flair without demanding technical extremes from your band. Sebastian Anthony Birch has orchestrated the original solo work with genuine sensitivity to Gottschalk's keyboard writing, giving your ensemble colorful moments across the full band while keeping the arrangement transparent enough that rehearsals with a capable soloist remain genuinely manageable. It's a rare opportunity to program a legitimate masterwork that sounds sophisticated, stays performance-ready, and keeps your students engaged with a composer whose story bridges American musical history.

What to expect

The tarantelle carries an irresistible forward momentum, with cascading passages that shimmer across the piano and orchestra in waves of rhythmic vitality. It balances virtuosic brilliance with melodic warmth, moving from moments of delicate ornamentation to bold, dramatic gestures that showcase the full range of concert band color. The work evokes the salon concert tradition of Gottschalk's era while capturing the exuberance of Caribbean dance forms that fascinated the composer throughout his life.

Who it's for

This work belongs in the hands of concert bands with strong piano soloists and solid technical foundations, typically grades 5 and above. Directors seeking to expand their students' awareness of nineteenth-century American composers and to showcase a genuinely virtuosic soloist alongside the full ensemble will find this arrangement ideal.

How to get the most out of it

  • Establish a clear tempo for the perpetual motion sections early in rehearsals. The moto perpetuo character depends on rhythmic cohesion, so lock the time with your section leaders before solving balance and articulation details.
  • Balance the solo piano carefully against the band, especially during the opening statements. Gottschalk's original keyboard writing deserves clarity, so resist the urge to let ensemble textures overwhelm the soloist's figuration.
  • Use the variety of instrumental colors throughout the arrangement as opportunities for sectional character. Light articulation in woodwinds during passagework contrasts beautifully with fuller brass gestures in the dramatic sections.
  • Attend to the tarantelle's dance rhythms. Slight forward motion and rhythmic buoyancy in faster passages will capture the spirit of the original form rather than allowing it to become mechanical.

How to use it

Program this arrangement as a showcase solo work within a concert that includes other Romantic-era repertoire, or use it to create a thematic set exploring American composers and international musical exchange. Its technical accessibility and authentic historical voice make it equally effective as a season-opening piece that reintroduces your band after a break or as a compelling feature midprogram before larger ensemble works.

Skills your students will build

  • Ensemble balance and transparency when accompanying an active solo line
  • Clear articulation and rhythmic precision in sustained moto perpetuo passages
  • Stylistic sensitivity to nineteenth-century salon music and dance forms
  • Dynamic control across a wide range of orchestral colors and textures

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