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Celebrated Piano Solos, Book 5: Piano Book

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Celebrated Piano Solos, Book 5 Cover Image

Celebrated Piano Solos, Book 5: Piano Book

Seven Diverse Solos for Intermediate to Late Intermediate Pianists

By Robert D. Vandall

Level: Intermediate / Late Intermediate

Item: 00-881341

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Description
This series offers some of the best piano sheet solos by noted composer Robert D. Vandall. Originally available from Myklas Music Press, this book has been re-engraved and features an attractive new cover. Representing many different styles, moods, keys, meter signatures, tempos, and pianistic techniques, this collection includes more exciting intermediate favorites. Titles: Player Piano Rag * Perpetual Motion I * Reverie * Rock Zone * Shades of Blue * Summer Nocturne * Winter Nocturne. A Federation Festivals 2020-2024 selection.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Celebrated Piano Solos, Book 5: Piano Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Celebrated
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-6387-1
ISBN13: 978-0-7390-6387-3
UPC: 038081249650
SKU: 00-881341

More about this title

About the Composer: Robert D. Vandall

Robert D. Vandall is a prolific composer whose output has shaped intermediate piano education for decades. His ability to write music that balances technical instruction with genuine musical interest has made his works staples of festival lists and studio teaching libraries across North America.

Why we love this

Vandall writes intermediate piano music that doesn't feel like exercises. Each piece in this collection has a distinct personality and pianistic character, meaning students stay engaged while building real technical skills. The range of styles, keys, and meters makes this book a complete curriculum unto itself.

What to expect

Opening this book offers a musical journey across moods and eras. You'll move from the infectious syncopation of a ragtime fantasy to the dreamy suspension of a nocturne, with detours through rock, motion études, and blues impressionism. Vandall's orchestration of the keyboard keeps both hands engaged and rewards expressive, attentive playing.

Who it's for

This book serves intermediate to late intermediate pianists ready to explore a wider range of musical styles within a single collection. Studio teachers will find these pieces ideal for students preparing for festivals or recitals, as they provide both technical challenge and interpretive opportunity.

How to get the most out of it

  • Pay close attention to tempo markings and style indications. The difference between "Player Piano Rag" and "Summer Nocturne" isn't just the notes; it's the articulation and pedal choices that bring each piece to life.
  • Work through the rhythmic figures slowly before connecting them to tempo. Pieces like "Perpetual Motion I" reward precision at a manageable speed first.
  • Use the key and meter variety across the seven pieces as an opportunity to practice transposition and modulation concepts in context rather than isolation.
  • Record yourself playing individual pieces and listen back for balance between hands. Vandall's writing often gives thematic material to both hands, and clarity matters.

How to use it

Build a recital around these pieces by grouping them thematically, or program them across a season as individual feature works between larger repertoire. Their inclusion on Federation Festivals lists from 2020-2024 makes them ideal preparation for students entering adjudicated competition.

Skills your students will build

  • Playing across multiple key signatures and meter signatures with fluency
  • Interpreting contrasting styles (ragtime, nocturne, rock, blues) within one collection
  • Managing hand independence and balance in pieces requiring simultaneous melodic and accompaniment roles
  • Using pedal effectively to shape dynamics and color
  • Developing rhythmic accuracy in syncopated and flowing passages

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