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Caveman Gets A Haircut: Concert Band, Ensemble Works Conductor Score

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Caveman Gets A Haircut: Concert Band, Ensemble Works Conductor Score

By Dan Adams

Grade: 1

Item: 36-20105662

$9.00
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Description
A fun teaching piece that introduces several stylistic elements, including use of dynamics and staccato. With a simple melody begun by the woodwinds, the brass and percussion sections both get a chance to shine. It also calls for the students to offer some caveman-like grunts, guaranteeing fun rehearsals and giggles from any audience.

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Additional Details
Series: Great Works Publishing - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-57-891663-1
ISBN13: 978-1-57-891663-4
UPC: 735816155414
SKU: 36-20105662
Instrumentation: Concert Band, Ensemble Works

More about this title

About the Composer: Dan Adams

Dan Adams

Dan Adams spent nearly thirty years shaping young musicians as the Band and Orchestra director at Wooster City Schools in Wooster, Ohio, where he also served as Instrumental Music Coordinator. His teaching career began at Mount Anthony Union High School in Bennington, Vermont, before moving to Ohio. He holds a Bachelor of Music Education from The Ohio State University (trombone) and a Master of Music in Band Conducting from Northwestern University, where he studied under John Paynter.

Adams has built a substantial reputation as a composer, adjudicator, and brass performer. His works have been performed across the country and internationally, earning recognition at The Midwest Band Clinic and the Western International Band Clinic. His catalog includes multiple selections in the Bandworld Top 100 and numerous J.W. Pepper Editors' Choice awards. He maintains active membership in the Ohio Music Education Association, NAfME, ASCAP, the College Band Directors National Association, and the American Federation of Musicians.

Why we love this

Adams knows what gets a young band engaged and laughing without sacrificing musical substance. The caveman grunts transform a teaching piece into a memorable event that students talk about long after the performance, yet the writing genuinely develops essential skills in dynamics and articulation. It's the kind of novelty that directors return to year after year because it works both musically and socially.

What to expect

Playful and energetic, with enough rhythmic bounce to keep the band's attention and enough musical substance to respect their developing abilities. The combination of straightforward melody, layered dynamics, and the theatrical element creates an experience that feels like structured fun rather than silly novelty.

Who it's for

Grade 1 bands and beginning ensemble directors seeking repertoire that teaches fundamental skills while keeping students genuinely entertained. It works equally well for concert programs, pops concerts, or community performances where you want an audience smile without lowering musical standards.

How to get the most out of it

  • Shape the woodwind melody with clear phrasing from the opening; the simplicity makes every dynamic choice audible to the audience.
  • Coordinate the caveman grunts so they land precisely with the musical cues, treating them as another color in the ensemble rather than chaotic interjections.
  • Give the brass sections clear direction about their shining moments; they need to know these are opportunities to anchor the sound and project confidence.

How to use it

Slot this early in a concert when you want to build confidence and audience connection before moving into more substantial repertoire. It also serves as an excellent rehearsal morale booster during the stretch of the school year when students need something engaging that doesn't demand the focus level of a contest march.

Skills your students will build

  • Dynamic control and shape within phrases
  • Crisp staccato articulation and its contrast with legato
  • Sectional balance and blend when different instrument families carry the melody
  • Rhythmic precision and ensemble coordination
  • Confidence performing with expressive, non-traditional vocal elements

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