Cassation for string orchestra Cover Image

Cassation for string orchestra: String Orchestra Score

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Cassation for string orchestra Cover Image

Cassation for string orchestra: String Orchestra Score

By Harald Genzmer

Level: Intermediate

Item: 98-EP8654

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Description
Cassation for string orchestra by Harald Genzmer. Score only.

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Additional Details
Series: Edition Peters
Publisher: EDITION PETERS
Page Count: 32
ISBN10: 0-01-406984-9
ISBN13: 979-0-01-406984-1
SKU: 98-EP8654

More about this title

About the Composer: Harald Genzmer

Harald Genzmer (1909-2007) was a German composer and pedagogue whose catalog spans orchestral works, chamber music, and educational pieces. He built his reputation on writing idiomatic string music that balances technical interest with musical substance, making him a valued voice in mid-twentieth-century European concert music.

Why we love this

Genzmer's Cassation sits at that sweet spot where string orchestras can sound genuinely polished without requiring soloistic virtuosity from every stand. The writing respects the strengths of intermediate ensembles while offering enough textural variety and melodic charm to keep rehearsals engaging and performances rewarding.

What to expect

A Cassation, historically a light entertainment form, takes on a more refined character in Genzmer's hands. The music balances courtly elegance with genuine warmth, unfolding with the ease of a composer who understood exactly how strings speak best.

Who it's for

String orchestras working at the intermediate level who need a substantial, rewarding piece that sits comfortably within their technical reach. This score works equally well for conductors building programs that mix lighter fare with more serious artistic content.

How to get the most out of it

  • Establish clear sectional independence early in rehearsals. Genzmer often layers different rhythmic or melodic material across the strings, so lock each section's part before blending.
  • Shape phrases by tracking the primary melodic line across instruments rather than treating each part as isolated. This unified approach prevents the texture from becoming static.
  • Balance the accompaniment figures carefully in the inner voices. The violas and second violins carry considerable weight in maintaining harmonic continuity.

How to use it

Pair this with contemporary or modern works to give audiences a sense of how twentieth-century composers engaged with older forms. It also serves as an ideal concert opener that establishes a sophisticated tone without demanding the peak energy of your ensemble.

Skills your students will build

  • Sustaining focused sound quality across longer harmonic progressions
  • Coordinate rhythmic figures that don't fall on predictable beats
  • Balance ensemble texture when melodic responsibility shifts between sections
  • Shape line across multiple instruments rather than within individual parts

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