Carry On Cover Image

Carry On: Piano Sheet

$3.99 USD
Sale price  $3.99 USD Regular price 
Skip to product information
Carry On Cover Image

Carry On: Piano Sheet

Words and music by Nate Ruess, Jeff Bhasker, Andrew Dost, and Jack Antonoff / recorded by fun. / arr. Dan Coates

Level: Easy Piano

Item: 00-41454

$3.99
Shipped

One moment…

Description
The melodic third single from fun.'s smash hit Some Nights album makes a great piano solo! In this easy piano edition, acclaimed piano arranger Dan Coates incorporates the song's melody into the piano part and keeps it simple, making this a fun and entertaining piece for pianists in their earlier years of study.

Carry On: Piano Sheet isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Alfred Music
Page Count: 12
ISBN10: 0-7390-9879-9
ISBN13: 978-0-7390-9879-0
UPC: 038081463384
SKU: 00-41454

More about this title

About the Composer: Nate Ruess

Nate Ruess is a singer, songwriter, and producer who co-founded the pop band fun. in 2008. His work on the album Some Nights earned Grammy recognition and established him as a skilled melodist with an ear for hooks that resonate across multiple listening contexts. Beyond his work with fun., Ruess has collaborated with major artists across pop and electronic music, bringing his compositional sensibility to projects that span radio-friendly anthems and studio experimentation.

As a composer, Ruess writes melodies that translate well across instruments and arrangements. His understanding of how a hook functions in pop music makes his compositions natural fits for piano arrangements, particularly for educational contexts where a clear, singable line serves both the performer and the listener.

Why we love this

Dan Coates' arrangement respects the song's infectious melody while stripping away the production complexity that can intimidate early-level pianists. The straightforward approach means students get to own a recognizable, contemporary tune without drowning in technical demands, which builds genuine confidence in young players.

What to expect

Bright, approachable, and deeply singable. The melody sits comfortably under the hands, and the harmonic support feels supportive rather than sparse. There's an inherent optimism in the writing that makes playing it feel rewarding rather than like work.

Who it's for

Early-level pianists (typically 1-2 years into study) who are ready to tackle contemporary repertoire and want the satisfaction of playing a real, recognizable song. This works equally well for recreational adult students returning to piano and for young players building technique alongside musical joy.

How to get the most out of it

  • Keep the melody line singing throughout, even in simpler passages. The song's appeal hinges on that hook being immediately recognizable, so shape phrases rather than merely hitting notes.
  • Find the tempo that lets you voice the accompaniment cleanly without rushing. Pop arrangements often feel better at a steady, comfortable pace than at breakneck speed.
  • Balance the melody against the supporting harmony; the right hand doesn't need to blast. Let the melody breathe by controlling dynamics in the left hand.
  • Listen to the original recording to absorb the song's character and energy. Knowing where the beat sits in the full arrangement helps you ground your own interpretation.

How to use it

Include this in a student recital or informal performance to celebrate the bridge between classical training and the contemporary music students actually listen to. It pairs well alongside simplified versions of other pop hits from the 2010s, or it can anchor a "Great Melodies" program that spans genres. The approachability also makes it ideal for late-spring recitals when students are ready to show off their progress on material they genuinely enjoy.

Skills your students will build

  • Sustaining a clear melodic line over harmonic accompaniment
  • Voicing chords across two hands in a contemporary harmonic context
  • Phrasing and shaping in pop music (listening to the original is key)
  • Balancing dynamics between melody and accompaniment
  • Building performance confidence through recognizable, engaging repertoire

You May Also Like