Carmen: Entractes (II, III and IV) Cover Image

Carmen: Entractes (II, III and IV): Full Orchestra, Conductor Score

$15.00 USD
$15.00 USD
Skip to product information
Carmen: Entractes (II, III and IV) Cover Image
Carmen: Entractes (II, III and IV): Full Orchestra, Conductor Score

Carmen: Entractes (II, III and IV): Full Orchestra, Conductor Score

By Georges Bizet

Item: 36-A132001
$15.00
Shipped

One moment…

Related Items

Carmen: Entractes (II, III and IV): Full Orchestra, Conductor Score & Parts

$75.00
View
Description
While it scandalized Parisian audiences at its premiere by the Opéra-Comique in Paris on March 3rd, 1875, Georges Bizet's (1838-1875) CARMEN became, a mere decade later, one of the most popular and frequently performed operas in the repertoire. It remains popular today, with songs such as the "Habanera" and "Toreador Song" among the best known of all opera arias. The three ENTRACTES which introduce Acts II, III, and IV, presenting several well-known themes appearing in the opera, are here compiled for this Kalmus edition. Instrumentation: 2(2nd d.Picc).2(2nd d.EH).2.2: 4.2.3.0: Timp.Perc(3-4): Hp: Str (9.8.7.6.5 in set). Reprint edition.

Carmen: Entractes (II, III and IV): Full Orchestra, Conductor Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Request This Title

Tell us you want it.

Start Your Free Trial

Explore everything that's ready to play right now.
Sample Pages

No sample pages found.
Sample Audio
No sample audio found.
Sample Video
No sample videos found.
Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-810087-6
ISBN13: 979-889-810-0872
UPC: 605258541390
SKU: 36-A132001
Instrumentation: 2(2nd d.Picc).2(2nd d.EH).2.2: 4.2.3.0: Timp.Perc(3-4): Hp: Str (9.8.7.6.5 in set)

More about this title

About the Composer: Georges Bizet

Georges Bizet (1838, 1875) was a French composer whose career, though tragically brief, left an indelible mark on opera and orchestral music. He studied at the Paris Conservatory and won the prestigious Prix de Rome, yet struggled for recognition during his lifetime. His final and most celebrated work, Carmen, premiered just months before his death and transformed the operatic landscape.

Bizet's gift lay in his ability to craft memorable melodies, orchestrate with brilliant color, and capture raw human drama on stage. The opera's initial scandal, its violence, sexuality, and vernacular setting shocked conservative Paris, gave way to universal acclaim. Today, Carmen stands as one of the most performed operas worldwide, and these three entractes showcase why: they move with theatrical energy and orchestral sophistication that transcend the opera house.

Why we love this

These entractes offer you a taste of Carmen's theatrical brilliance in concert form, featuring some of the opera's most recognizable themes woven into three distinct musical moments. The orchestration sparkles with 19th-century color and dramatic pacing that keeps ensembles and audiences engaged. You get substantial material that demands real musicianship without requiring your orchestra to tackle the full opera score.

What to expect

Vivid, restless, and dramatically alive. The entractes pulse with Spanish-inflected rhythms, brilliant brass writing, and sweeping string passages that transport you directly into the world of the opera. There's a propulsive momentum here, each entracte carries you forward with theatrical flair and orchestral color that feels both elegant and urgent.

Who it's for

Conductors seeking substantial concert programming that bridges serious musicianship and accessibility. This score works for orchestras with solid technical foundation and intonation; the orchestration exposes balance issues quickly but rewards careful rehearsal.

How to get the most out of it

  • Shape the phrasing across full phrases rather than measure-to-measure; Bizet's melodies breathe, and they need space to sing even in the orchestra.
  • Balance the harp part carefully in Entracte II, it provides harmonic shimmer but shouldn't overpower the woodwind solos and string dialogue.
  • Clarify the rhythmic drive in Entracte IV without rushing; the energy comes from precision and forward motion, not speed.
  • Give the percussion section clarity in their cues, particularly timpani entries that anchor key structural moments.

How to use it

Program these three entractes as a suite within a concert devoted to opera's greatest hits or as a standalone segment highlighting 19th-century orchestral writing. They pair beautifully with other Bizet works or as a bridge between Romantic and early modern repertoire. The three-piece structure allows you to program one, two, or all three depending on concert length and thematic needs.

Skills your students will build

  • Balancing multiple melodic lines across the orchestra with independence and blend
  • Maintaining forward harmonic momentum in passages with repeated figures
  • Responding to dramatic orchestration cues (sudden dynamics, textural shifts) without losing ensemble cohesion
  • Understanding harp accompaniment patterns and how to support rather than compete with them
  • Shaping climactic moments in brass and woodwind writing

You May Also Like