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Caracas: Jazz Ensemble Conductor Score & Parts

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Caracas: Jazz Ensemble Conductor Score & Parts

Words and music by Lou Donaldson / arr. Terry White

Grade: 1 (Easy)

Item: 00-47026

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Description
Caracas arranged by Terry White is a bossa that is just right for the young band. Played around 136 BPM, it has a catchy melody with great harmonies; easy brass ranges; and optional parts for flute, clarinet, and vibraphone. (2:43)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Caracas: Jazz Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: First Year Charts for Jazz Ensemble
Publisher: Alfred Music
Page Count: 66
UPC: 038081539782
SKU: 00-47026

More about this title

About the Composer: Lou Donaldson

Lou Donaldson is an alto saxophonist and composer rooted in the hard bop and soul jazz traditions of the 1950s and 1960s. His accessible compositional voice and gift for memorable melody have made his work staple fare in jazz curricula and learning ensembles for decades.

Why we love this

Caracas strikes that rare balance between genuine jazz writing and accessibility for young players. The bossa rhythm feels authentic without demanding virtuosity, the melody stays in comfortable ranges, and the optional parts give you flexibility in instrumentation without sacrificing the arrangement's character.

What to expect

A sunny afternoon in motion. The bossa rhythm propels the tune forward with natural ease, while the melody settles comfortably in your voice or instrument. The harmonies are colorful but never complicated, creating a piece that feels sophisticated and grooves genuinely.

Who it's for

First-year jazz ensemble students and directors seeking Grade 1 repertoire that sounds professional without overwhelming young players. The flexible instrumentation makes it accessible whether your ensemble is still building its brass and woodwind sections.

How to get the most out of it

  • Establish the bossa clave feel early in rehearsal. The rhythm section's interaction with the melody depends on clarity here, so lock the clave pattern before layering in other parts.
  • Keep the tempo steady at 136 BPM. Young ensembles often drag this style, which flattens the characteristic bounce of the bossa groove.
  • Balance the melody against the comping figures in the rhythm section. The catchy hook should sing through without the accompanying voices stepping on it.
  • If using the optional vibraphone part, let it breathe in the background. Vibraphone in bossa works best as textural coloring rather than a lead voice.

How to use it

Caracas works perfectly as an opener or closer on a jazz ensemble concert, especially one mixing standards with more adventurous material. It also fits well in a spring program where lighter, dance-oriented Latin jazz complements a more varied setlist.

Skills your students will build

  • reading and performing bossa nova rhythm patterns
  • understanding clave-based ensemble coordination
  • playing within restricted ranges appropriate to early jazz study
  • balancing melody against rhythmic accompaniment
  • interpreting Latin jazz phrasing and articulation

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