Car-Tune Cover Image

Car-Tune: Concert Band Conductor Score & Parts

$62.00 USD
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Car-Tune Cover Image

Car-Tune: Concert Band Conductor Score & Parts

By Kenneth Bray

Grade: 3

Item: 81-CB9814

$62.00
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Description
This is a fun closer or encore to a concert and is a feature for the baritone player in your ensemble. The name "Car-Tune" refers to the sound of the horn of the old sports cars. This is a thrilling original by Kenneth Bray that shows off his musical sense of humour and his creative scoring of colourful percussion. It is full of surprises and is a sure success at the end of a concert.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-159-8
ISBN13: 978-1-55472-159-7
UPC: 685462004874
SKU: 81-CB9814

More about this title

Why we love this

Kenneth Bray's approach to humor is compositional, not novelty. He trusts the baritone voice to carry character while the percussion colors add sophistication rather than silliness. The piece reads as a confident closer because it knows exactly what it's doing musically.

What to expect

Playful without being cute. The composer captures the spirited personality of a vintage sports car horn through clever orchestration and unexpected turns. There's a lightness here that still demands musicianship.

Who it's for

Concert bands seeking a closing number with musical substance and genuine fun. Ensembles with a confident baritone player will find this especially rewarding, though the piece works for any capable mid-range soloist.

How to get the most out of it

  • Balance the baritone solo so it cuts through the ensemble without drowning in the percussion; this is the player's moment.
  • Let the percussion surprises breathe. They land harder when the band gives them space rather than rushing through transitions.
  • Work the dynamic contrasts between sections deliberately. The humor lives in the contrast, not in playing it all bright and fast.
  • Encourage your baritone to play with character. The piece invites personality, and a player who commits to the line will carry the whole ensemble.

How to use it

Plant this at the end of a concert to send the audience out smiling. It works beautifully after more serious work, offering contrast and momentum without undermining the integrity of your program.

Skills your students will build

  • Responding to sudden tonal and textural shifts within a single piece
  • Balancing a featured soloist against fuller ensemble sonorities
  • Articulating rhythmic precision in passages with frequent dynamic or textural change
  • Interpreting marked humor in a score

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