Car-Tune Cover Image

Car-Tune: Brass Choir Score & Parts

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Car-Tune Cover Image

Car-Tune: Brass Choir Score & Parts

By Kenneth Bray

Level: Medium-Difficult

Item: 81-BC978

$30.00
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Description
This is a fun closer to a concert that is a feature for the euphonium and xylophone. The name "Car-Tune" refers to the sound of the horn of the old sports cars. A thrilling original by Kenneth Bray that shows off his musical sense of humour and his creative scoring of colourful percussion. Mr. Bray uses his standard brass choir instrumentation of 4 trumpets (1piccolo), 4 horns, 3 trombones, euphonium, tuba and percussion.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-158-X
ISBN13: 978-1-55472-158-0
UPC: 685462000821
SKU: 81-BC978
Instrumentation: 4.4.3.1.1.perc

More about this title

About the Composer: Kenneth Bray

Kenneth Bray is a composer and arranger whose work for brass ensembles demonstrates a gift for accessibility without sacrificing musical substance. His scoring favors clarity and balance while remaining sensitive to the specific capabilities of different brass instruments.

Why we love this

This piece uses humor as a compositional tool rather than a gimmick. The euphonium and xylophone feature gives traditionally supporting voices a chance to shine, and Bray's orchestration throughout showcases exactly why a well-written brass choir piece can feel fresh and memorable.

What to expect

Witty and energetic, with the playful aggression of a vintage sports car in full throttle. The timbre combinations between brass and xylophone create a bright, almost whimsical character that lifts the energy of any concert finale.

Who it's for

Brass choir directors seeking a concert closer that entertains both performers and audience. The medium-difficult level suits mid-tier ensembles that have solid fundamentals and are ready for more sophisticated scoring and balance work.

How to get the most out of it

  • Balance the euphonium feature against the full brass ensemble during tutti passages; the xylophone line should cut through without overwhelming.
  • Nail the rhythmic precision in the horn and trumpet sections, especially if the piece plays with syncopation typical of Bray's style.
  • Give the percussion writing full attention; xylophone parts in brass literature are rarely decorative.

How to use it

Perfect as a closing selection when you want to leave the audience smiling. The euphonium feature also makes it an excellent showcase piece if you have a strong player to highlight, and the contest/festival designation means it works equally well in competition settings.

Skills your students will build

  • Balancing solo passages within a full ensemble texture
  • Precision in rhythmic coordination across multiple sections
  • Sensitivity to percussion-brass color blending
  • Reading and executing characteristic brass choir instrumentation

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