¡Cantar! (Sing!): SAB Choral Octavo
Words and music by Jay Althouse
Item: 00-PO-0003141
Minimum order quantity: 20 copies
Pickup currently not available
Related Items
¡Cantar! (Sing!): SATB Choral Octavo |
$2.05
|
View | |
Cantar! (Sing): SSA Choral Octavo |
$2.05
|
View | |
¡Cantar! (Sing!): TB Choral Octavo |
$2.05
|
View | |
¡Cantar! (Sing!): 2-Part Choral Octavo |
$2.05
|
View | |
Cantar! (Sing!): Choral SoundPax |
$20.00
|
View | |
¡Cantar! (Sing!): SATB Choral Octavo |
$2.05
|
View | |
¡Cantar! (Sing!): SAB Choral Octavo |
$2.05
|
View | |
¡Cantar! (Sing!): SSA Choral Octavo |
$2.05
|
View | |
¡Cantar! (Sing!): TB Choral Octavo |
$2.05
|
View | |
¡Cantar! (Sing!): 2-Part Choral Octavo |
$2.05
|
View | |
¡Cantar! (Sing!): Choral Octavo SoundTrax CD |
$27.99
|
View | |
¡Cantar! (Sing!): Choral SoundPax |
$20.00
|
View |
Description
¡Cantar! (Sing!): SAB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Tell us you want it.
Explore everything that's ready to play right now.
Sample Audio
Sample Video
Additional Details
More about this title
About the Composer: Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he earned the Distinguished Alumni award. He spent eight years as a rights and licenses administrator for a major educational music publisher and served on the Executive Board of the Music Publishers Association of America. As a composer, Althouse has created more than 800 choral works performed throughout the English-speaking world and is a writer member of ASCAP, a regular recipient of the ASCAP Special Award for his compositions.
Beyond his prolific output as a composer, Althouse has co-written children's musicals with Sally K. Albrecht, compiled vocal solo collections including Folk Songs for Solo Singers, and authored instructional books for music classrooms such as Ready to Read Music and Sixty Music Quizzes. He co-wrote I Hear America Singing, performed by the San Francisco Girls and Boys Choirs at President Barack Obama's inauguration in 2009. Althouse resides in North Carolina and serves on the National Advisory Board of the Folk Art Society of America.
Why we love this
Althouse built his reputation on pieces that work across skill levels, and this SAB voicing proves why: the rhythmic drive and Latin authenticity make it genuinely fun to sing, while the text blend of English and Spanish keeps the learning curve accessible. Directors consistently return to his catalog because his melodies stick, his harmonic writing supports singers, and the energy in the room is contagious. A proven seller for good reason.
What to expect
From the first phrase, this piece radiates joy and movement. The salsa rhythm infectious and propulsive, driving the ensemble forward with the kind of infectious groove that makes singers want to lock in and commit. The text, mixing accessible English with simple Spanish repetition, creates an inclusive feel that invites the listener into the celebration.
Who it's for
SAB choirs at the middle school, high school, and community level will find this piece accessible yet authentically rhythmic. Mixed ensembles looking for multicultural repertoire that feels genuinely rooted in salsa style, not watered down, will connect with Althouse's treatment. Singers who enjoy the energy of Latin music but need something manageable in rehearsal time will thrive with this.
How to get the most out of it
- Nail the rhythmic precision in the salsa groove by locking the ensemble onto the main pulse; a recorded accompaniment is available and makes this much easier to absorb.
- Emphasize the crisp articulation on repetitive Spanish phrases; they should pop and drive forward rather than sit passively.
- Balance the English and Spanish text carefully so neither section feels secondary; both languages deserve equal musical weight.
How to use it
Program this during a spring concert focused on world music or multicultural themes; it pairs beautifully alongside other Latin or Spanish-language works. It also works as a high-energy closing piece or encore, especially for younger or community choirs seeking an accessible crowd-pleaser. Consider pairing it with a visual element or simple choreography to amplify its concert presence.
Skills your students will build
- Reading and performing Latin rhythmic patterns, particularly syncopation in a salsa context
- Articulating Spanish text with authentic pronunciation and rhythmic clarity
- Maintaining steady pulse and ensemble cohesion in a rhythmically driven arrangement
- Blending English and Spanish text within a single melodic phrase