By Waters Clear and Flowing: SAB Choral Octavo
Words and music by Douglas E. Wagner
Item: 00-PO-0000483
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Douglas E. Wagner

Douglas E. Wagner grew up in Chicago and earned both undergraduate and graduate degrees in music from Butler University. He spent three decades as a high school music director and administrator before committing fully to composition in the 1970s.
With over 3,500 published works across choral, band, orchestral, handbell, organ, piano, and vocal repertoire, Wagner has become one of the most performed contemporary composers in music education. His pieces have been heard in concert halls throughout the United States and internationally on broadcasts and concert stages. He now lives in Indianapolis with his wife, Sandy.
Why we love this
Wagner captures the quiet dignity of Appalachian song while giving your SAB choir real harmonic substance to sink their teeth into. The flowing piano writing creates an immersive soundscape that never overwhelms the singers, letting the folk melody and reflective text remain the emotional center. This is the kind of piece that sounds effortless in performance but leaves audiences genuinely moved.
What to expect
Calm water catches light as it moves forward, reflecting sky and riverbank without disturbance. The melody unfolds with the ease of a folk singer sharing something true, while the harmonies deepen the emotional landscape beneath each phrase. There is nothing hurried here, only the gentle current of memory and affection.
Who it's for
This octavo works well for choirs with solid sightreading skills and access to a capable pianist. The reflective nature and folk authenticity make it equally at home in concert programs, community performances, or festival settings where quality matters more than technical flash.
How to get the most out of it
- Let the piano accompaniment breathe and flow naturally; resist the urge to rush the piece despite the "running water" imagery. The beauty comes from unhurried phrasing.
- Balance the SAB parts so the melody remains clear. The harmonies are rich enough to support without pulling focus from the main line.
- Explore the emotional weight of the love text during rehearsal. Singers who understand the reflective, tender quality of the message will shape their tone accordingly.
- Shape phrases across multiple measures rather than ending each line with a slight cutoff. The legit piano accompaniment supports longer musical lines.
How to use it
Position this as a centerpiece in a set exploring Americana folk traditions, or use it as a contemplative moment between more energetic pieces. Its modest accompaniment and elegant vocal writing also make it suitable for community and church performances where you want to showcase your choir's musicianship without excessive technical demands.
Skills your students will build
- Sustaining lyrical phrasing across longer melodic lines
- Balancing SAB voicing to maintain harmonic blend while keeping the melody prominent
- Responding to and interpreting text for expressive singing
- Maintaining ensemble cohesion with a flowing, independent piano accompaniment