By the Waters Cover Image

By the Waters: SATB Choral Octavo

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By the Waters Cover Image

By the Waters: SATB Choral Octavo

Words based on Psalm 137, music and additional words by Dave and Jean Perry

Item: 00-43198

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Description
A haunting, minor-mode melody is passed through the choir in this fugue treatment of an expressive psalm text. What begins as artful simplicity develops into lush polyphony. "By the waters of Babylon, we sat down and wept."

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, By the Waters: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081487403
SKU: 00-43198

More about this title

Why we love this

The fugal treatment transforms a simple, mournful melody into something architecturally ambitious without sacrificing accessibility. Perry's restraint in the opening measures earns the harmonic richness that follows, making this piece rewarding for both singers and listeners who experience genuine development rather than repetition.

What to expect

A meditation that unfolds rather than arrives. The opening simplicity carries the weight of psalm text; as voices accumulate, the music accumulates both beauty and sorrow, creating a sense of voices joining in collective lament and prayer.

Who it's for

Intermediate to advanced choral ensembles with solid blend and part independence. This octavo rewards singers who can track their own line through polyphonic texture and directors seeking sacred repertoire with genuine compositional substance.

How to get the most out of it

  • Establish the minor tonality clearly in the opening solo line; this foundation determines how the subsequent entries land emotionally and harmonically.
  • Balance transparency in the fugal entries against the gathering polyphony. Each voice should remain distinct through the development, even as the texture thickens.
  • Shape the text "we sat down and wept" with appropriate weight and resonance in the lower voices once the full harmony arrives.
  • Use dynamic control to distinguish the expressive architecture: the artful simplicity of the opening requires restraint, while the lush polyphony needs support without becoming overwrought.

How to use it

Program this as a centerpiece in a sacred concert or as a contemplative anchor in a mixed liturgical service. Its 12 pages and moderate length make it suitable for feature placement without demanding an entire program.

Skills your students will build

  • Fugal voice leading and independence
  • Sustaining a lyrical line while tracking polyphonic entries
  • Dynamic shaping across a developing harmonic palette
  • Balancing ensemble blend with individual line clarity
  • Interpretive choices in text-driven sacred music

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