Burgmüller: Twelve Brilliant and Melodious Studies, Op. 105 Sheet Music Preview

Burgmüller: Twelve Brilliant and Melodious Studies, Op. 105

By Johann Friedrich Burgmüller

Level: Intermediate / Advanced

Item: 00-PC-0005824

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Description
Friedrich Burgmüller, (1806--1874) was a German pianist and composer. This collection contains 12 of his of more difficult technical etudes for the piano.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Burgmüller: Twelve Brilliant and Melodious Studies, Op. 105 comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Kalmus Edition
Publisher: Alfred Music
Page Count: 36
SKU: 00-PC-0005824

More about this title

About the Composer: Johann Burgmüller

Johann Burgmüller (1806–1874) was a German pianist and composer whose works became staples of piano pedagogy throughout the nineteenth century. Though he spent much of his career in Paris, his technical etudes earned respect from serious musicians for their musical integrity—they demand real pianistic skill while remaining genuinely musical rather than purely mechanical.

Why we love this

These twelve studies sit at a crucial junction in a pianist's development: advanced enough to demand serious technique, yet written with the melodic sensibility of a working composer rather than a drill sergeant. Burgmüller refuses to sacrifice musicality for finger work, which means students practice passages they'll actually enjoy playing long after the technical challenge is met.

What to expect

Graceful but challenging. Burgmüller's writing feels pianistic—designed by someone who understood the instrument—with flowing lines that catch light and momentum even when the technical demands are high. The Romantic sensibility keeps everything from feeling like pure work.

Who it's for

Intermediate to advanced pianists ready to tackle technical material that requires genuine musicianship, not just speed and accuracy. These studies suit students preparing for competitions, advancing toward conservatory-level playing, or looking for substantial technical repertoire with genuine artistic reward.

How to get the most out of it

  • Map the harmonic structure before drilling passages so you understand what the right hand is building toward, not just the mechanics of what it's playing.
  • Separate hand work thoroughly in the most intricate passages, then layer them back together only when each hand executes independently at tempo.
  • Let the melodic line sing through the figuration; these pieces suffer when played as pure technical display rather than as songs accompanied by complex piano writing.

How to use it

These work well as recital closers for an intermediate pianist eager to showcase growth, or as stepping stones toward standard Romantic repertoire like early Liszt or Mendelssohn. You might also assign individual studies across a season of lessons rather than treating them as a single unit, pairing them with contrasting repertoire.

Skills your students will build

  • Rapid scalar passages and broken chord figuration at tempo
  • Hand independence with complex accompaniment patterns beneath singing lines
  • Sustaining melodic coherence through technically demanding passage work
  • Pedal control in Romantic harmonic contexts
  • Sight-reading intermediate-advanced notation

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