Build Me Up Buttercup: 3-Part Mixed Choral Octavo
Words and music by Tony McCauley and Michael D'Abo
Level: Moderate
Item: 00-PO-0002563
Minimum order quantity: 20 copies
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More about this title
About the Composer: Tony McCauley
Tony McCauley is a British composer and songwriter who shaped the sound of 1960s pop and soul music. His work as a tunesmith for The Foundations produced some of the era's most enduring hits, including "Build Me Up Buttercup," which became a standard of infectious optimism and irresistible groove.
Why we love this
Jeff Funk's arrangement captures the infectious energy of the original without losing sight of what makes this song work for singers. The 3-part voicing sits comfortably in mixed voices while preserving the driving rhythm and bright personality that audiences instantly recognize. This is the kind of piece that energizes a concert and reminds singers why they love performing pop music.
What to expect
Bright, buoyant, and thoroughly groovy. The piece radiates the feel-good optimism of 1960s soul pop, with a melody that sits naturally in the voice and rhythms that propel the singers forward. There's genuine warmth in the harmonies and a sense of infectious joy that audiences can't help but respond to.
Who it's for
Directors programming pop repertoire for middle school through early high school choirs will find this a solid fit for Grade 3 singers. It works equally well for community choirs and adult ensembles seeking accessible, crowd-pleasing material that doesn't require extensive vocal maturity.
How to get the most out of it
- Lock in the rhythmic precision from the first rehearsal. The groove of this piece depends on confident, unified articulation across all parts.
- Lean into the '60s soul sound by encouraging singers to think about the original recording as a sonic reference, not just a melody line.
- Balance the part writing so the lyrics land clearly. SAB voicing can muddy text if the middle part isn't sung with intention.
- Use the recorded accompaniment to anchor your rehearsals and to model the intended style and tempo for singers who may not be familiar with the original.
How to use it
Pair this with other pop standards from the same era to create a cohesive set, or use it as a standalone moment of levity in a mixed concert. The movie connection makes it particularly effective for themed concerts or pops programs, and its bright energy works beautifully as a closer or as a palate cleanser between more serious selections.
Skills your students will build
- Rhythmic precision in syncopated pop idioms
- Ensemble blend and balance in 3-part writing
- Diction clarity in up-tempo material
- Stylistic interpretation of 1960s soul and pop vocal production