Bugler's Holiday Cover Image

Bugler's Holiday: Choral SoundPax

$20.00 USD
$20.00 USD
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Bugler's Holiday Cover Image
Bugler's Holiday: Choral SoundPax

Bugler's Holiday: Choral SoundPax

Music by Leroy Anderson / arr. Sally K. Albrecht

Item: 00-35796
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Description
Leroy Anderson's classic orchestral work is now available for choirs! The mixed choir arrangements may be performed a cappella, with piano, or with optional string bass and percussion. There is also a supportive piano accompaniment part included for all voicings. Great any time of year!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Bugler's Holiday: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 20
UPC: 038081399928
SKU: 00-35796
Instrumentation: SoundPax

More about this title

About the Composer: Leroy Anderson

Leroy Anderson (1908-1975) was an American composer and conductor whose orchestral works became synonymous with mid-century American charm and wit. Trained at Harvard and in Europe, Anderson composed over 140 works that bridged classical form and popular appeal, making him one of the most recorded composers of his era. His gift for melody and orchestration made his music accessible to general audiences while maintaining musical substance, earning him respect across concert halls and popular culture.

Anderson's catalog includes beloved concert pieces like "Plink, Plank, Plunk!," "The Syncopated Clock," and "Sleigh Ride," works that remain staples in school and community music programs. His ability to write music that engaged both performers and listeners made him a natural choice for film and television scoring. For music educators, Anderson represents a bridge between classical tradition and the music students actually hear in the world around them.

Why we love this

This arrangement brings Anderson's bright orchestral writing into a choral setting without losing the sparkle and rhythmic vitality that make the original so infectious. The flexibility to perform a cappella, with piano, or with optional instruments means you can program it regardless of what ensemble support is available. It's the kind of piece that lands reliably on concert programs because it combines genuine musicality with the kind of joy that audiences actually remember.

What to expect

Buoyant and playful, with the kind of melodic confidence that makes listeners smile. The harmonic language is warm without being overly complex, and there's a lightness to the orchestration that translates beautifully to voices, whether sung alone or supported.

Who it's for

Mixed choirs of intermediate ability who want a piece that feels sophisticated without excessive technical demands. High school and community choirs will find plenty of engagement here, and the varied accompaniment options make it accessible whether you have a full instrumental ensemble or just a pianist.

How to get the most out of it

  • Keep articulation crisp and consistent across all voice parts; the syncopated rhythms depend on rhythmic precision, not rubato
  • Balance the inner voices carefully so the harmonic color stays clear rather than muddy, especially in the sectional entrances
  • If adding instrumental accompaniment, use the optional parts to enhance texture rather than double every voice; let the choir shine in at least one section a cappella

How to use it

This works beautifully as a concert closer or a first-half closer because it leaves audiences in a genuinely good mood without feeling trivial. Consider pairing it with a more serious or introspective piece earlier in the program for contrast. It's also a smart choice for spring concerts or end-of-year celebrations when you want something the singers will actually enjoy rehearsing.

Skills your students will build

  • Syncopated rhythm reading in mixed meter contexts
  • Maintaining ensemble blend and balance in tight harmonic voicings
  • Stylistic interpretation of mid-century American music
  • Flexible accompaniment reading (adapting to different instrumental combinations)

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