Brush Revolution: Drumset DVD

Alexandru-Zorn treats brush playing as a complete musical language rather than a decorative technique. The DVD's systematic exploration of pyramid stickings, quintuple rhythms, and polymetric concepts gives drummers real tools to create sounds that simply cannot be achieved any other way, whether they're building jazz comping skills or expanding into contemporary contexts.

Brush playing here feels less like accompaniment and more like melodic conversation. The polymetric and quintuple concepts create hypnotic, layered textures that sit somewhere between rhythm section work and solo expression, challenging you to hear the brushes as a lead voice.

This DVD serves drummers at every level who want to move beyond standard brush patterns and tap into genuinely new sounds. Whether you're a jazz player looking for fresh comping vocabulary or a contemporary player seeking expanded sonic possibilities, Alexandru-Zorn's concepts reward both curiosity and disciplined practice.

• Start with the tap-sweep concept before layering it into groove patterns; the fundamental motion must become automatic so your hands can focus on dynamics and tone color.
• Pay close attention to the pyramid stickings exercises. These patterns rewire your hand independence and open up surprising rhythmic possibilities once you internalize them.
• Use the gospel-chop concepts to develop control over brush attack. The snare response in this style demands precision that transfers directly to your overall articulation.
• Build the quintuple rudiments slowly. These aren't speed exercises; they're about understanding how displaced groupings create new textures on brushes.

Incorporate specific brush concepts from this DVD into your drum curriculum at whatever level students are ready to explore them. For jazz ensembles, the comping and groove ideas strengthen your section's conversational flexibility; for contemporary or fusion groups, the advanced sticking combinations and solo material provide concert-worthy material.

• Pyramid sticking patterns and their rhythmic applications
• Quintuple rhythms and rudiments on brushes
• Tap-sweep coordination and control
• Polymetric thinking (displaced rhythmic groupings)
• Gospel-chop dynamics and articulation
• High-hat vocabulary and independence
• Brush tone production and texture variety
• Solo construction using brush-specific techniques