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Bring a Torch, Jeannette, Isabella: String Orchestra Conductor Score & Parts

$42.00 USD
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Bring a Torch, Jeannette, Isabella Cover Image

Bring a Torch, Jeannette, Isabella: String Orchestra Conductor Score & Parts

By Percy Hall

Grade: 2

Item: 36-20250694

$42.00
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Description
This lovely French carol is a natural for string orchestra. This familiar piece will be a great addition to your Christmas Concert, but actually it could be used in any season. Even though we think of it as Christmas music because of the title, the tune was originally a 13th century dance tune, and in the 17th century it became a drinking song arranged by the French composer Marc Charpentier. This is an unlikey beginning for a song we think of as a lullaby. The harmonies are beautiful and included is a short optional violin solo which can be played by the entire section. Your orchestra and audience will love it.

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Additional Details
Series: Great Works Publishing - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-57-891829-4
ISBN13: 978-1-57-891829-4
UPC: 660355050374
SKU: 36-20250694
Instrumentation: String Orchestra

More about this title

Why we love this

Hall's arrangement captures the lyrical essence of this tune without over-arranging it. The optional violin solo section adds a layer of sophistication while remaining accessible, letting your strongest players shine without excluding the rest of the section from the musical moment.

What to expect

Warm and unhurried, with a quality that feels both familiar and slightly unexpected. The arrangement respects the tune's elegant simplicity while the beautiful harmonies create depth that lifts it beyond a novelty selection.

Who it's for

String orchestras at the Grade 2 level looking for a accessible winter concert piece with genuine musical substance. This works equally well for orchestras building their repertoire in any season, since the tune's historical roots as a dance and drinking song transcend purely seasonal programming.

How to get the most out of it

  • Balance the melody between first and second violins so the tune emerges clearly; this isn't a piece where inner voices should compete for attention.
  • Work the optional violin solo passage as an ensemble exercise first (all violins together), then pull out individuals once the phrasing and intonation are solid.
  • Shape the phrases with gentle dynamic breathing rather than strict tempo changes; the 17th-century dance origins benefit from subtle forward motion.

How to use it

This pairs naturally with other winter or holiday selections at a December concert, but its versatility also makes it a charming mid-year offering if you're programming thematic concerts around folk traditions or historical music. The piece's modest demands on technique mean it won't overwhelm rehearsal time during your busiest seasons.

Skills your students will build

  • Balancing melody and accompaniment voices
  • Sustaining warm, lyrical tone across phrase lengths
  • Responding to optional solo passages within ensemble context
  • Executing clean ensemble entrances and releases

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