Bridgeway March: Concert Band Conductor Score & Parts
By Quincy C. Hilliard
Grade: 1
Item: 98-DB1060
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Bridgeway March: Score | $11.00 | |
| Bridgeway March: Flute | $7.00 | |
| Bridgeway March: Oboe | $7.00 | |
| Bridgeway March: Bassoon | $7.00 | |
| Bridgeway March: B-flat Clarinet 1 | $7.00 | |
| Bridgeway March: B-flat Clarinet 2 | $7.00 | |
| Bridgeway March: B-flat Bass Clarinet | $7.00 | |
| Bridgeway March: E-flat Alto Saxophone 1 | $7.00 | |
| Bridgeway March: E-flat Alto Saxophone 2 | $7.00 | |
| Bridgeway March: B-flat Tenor Saxophone | $7.00 | |
| Bridgeway March: E-flat Baritone Saxophone | $7.00 | |
| Bridgeway March: B-flat Trumpet 1 | $7.00 | |
| Bridgeway March: B-flat Trumpet 2 | $7.00 | |
| Bridgeway March: F Horn | $7.00 | |
| Bridgeway March: Trombone | $7.00 | |
| Bridgeway March: Baritone/Euphonium | $7.00 | |
| Bridgeway March: Baritone T.C. | $7.00 | |
| Bridgeway March: Tuba | $7.00 | |
| Bridgeway March: Bells | $7.00 | |
| Bridgeway March: Snare Drum/Bass Drum | $7.00 | |
| Bridgeway March: Crash Cymbals | $7.00 |
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Description
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More about this title
About the Composer: Quincy C. Hilliard
Quincy C. Hilliard has built a reputation for writing accessible concert band music that respects the capabilities of young ensembles while refusing to sound elementary. His compositions for beginning bands prioritize clear orchestration and genuine musical interest, making him a trusted voice in the FJH catalog.
Why we love this
Hilliard understands what Grade 1 students need to feel successful: accessible ranges, a recognizable tonal center, and genuine musical excitement. The piece walks the line between simplicity and substance, giving young ensembles real responsibility without overwhelming them technically.
What to expect
A bright, forward-moving march with the confidence and straightforwardness of a piece that knows exactly what it wants to accomplish. The familiar B-flat tonality and moderate ranges create an inviting entry point that doesn't sacrifice musical character.
Who it's for
Beginning concert band ensembles in their first or second year of study. This is ideal repertoire for students learning to read concert pitch and coordinate with a full ensemble for the first time.
How to get the most out of it
- Balance the melody across sections rather than spotlighting first parts; this teaches ensemble listening from day one.
- Keep the tempo steady and energetic throughout. Young bands often drag marches, so a clear conductor pulse is essential.
- Shape phrases deliberately even within simple accompaniment figures. It prevents mechanical playing and models musicianship at a foundational level.
How to use it
Open a fall concert with this to establish your band's energy and musicality right away. It's also excellent preparation for young ensembles tackling a mixed-level program, as it builds confidence without taking excessive rehearsal time.
Skills your students will build
- Reading concert pitch in a full ensemble setting
- Maintaining steady tempo in a march form
- Balancing parts within a traditional march texture
- Following a conductor through a complete piece structure