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Bridgeway March: Concert Band Conductor Score & Parts

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Bridgeway March Cover Image

Bridgeway March: Concert Band Conductor Score & Parts

By Quincy C. Hilliard

Grade: 1

Item: 98-B1060

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Description
Quincy Hilliard has penned another concert favorite with Bridgeway March. Written in the familiar key of B-Flat with modest ranges in all instruments, you will be surprised how well young musicians will be able to perform this exciting new work. (1:45)

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Additional Details
Series: FJH Beginning Band
Publisher: The FJH Music Company, Inc.
UPC: 674398207442
SKU: 98-B1060

More about this title

About the Composer: Quincy C. Hilliard

Quincy C. Hilliard is a composer and educator whose writing consistently demonstrates an instinct for what young musicians can accomplish with careful, pedagogical scoring. His work within the FJH Beginning Band series reflects his understanding of ensemble development at the foundational level, balancing musical integrity with the technical constraints of developing musicians.

Hilliard's catalog emphasizes accessible keys and manageable ranges without sacrificing the character and energy that makes rehearsal time worthwhile. His marches and concert works have become staples in beginning band programs precisely because they challenge students appropriately while delivering genuine musical satisfaction.

Why we love this

Hilliard refuses to treat a Grade 1 march as a throwaway vehicle. The B-Flat tonality and modest ranges make this genuinely playable for new ensembles, yet the piece holds enough melodic and rhythmic interest that your students won't feel like they're practicing scales. It's the kind of work that actually builds momentum in rehearsal rather than dragging it.

What to expect

Bridgeway March has the forward momentum and clear structure of traditional march writing, but Hilliard's touch keeps it fresh and engaging. Expect straightforward phrasing, clean harmonic movement, and the kind of directness that makes young musicians feel like real performers rather than students running through exercises.

Who it's for

Beginning and early intermediate concert bands looking for a straightforward march that builds confidence without oversimplifying the musical experience. This works equally well for groups in their first year and for those looking to add another solid work to their repertoire without complicated technical or range demands.

How to get the most out of it

  • Keep the tempo steady but energetic; the 1:45 runtime depends on consistent pulse rather than rushing through phrases.
  • Balance the melody and harmonic support so the main theme sings above the accompaniment without forcing dynamics beyond what young musicians can control.
  • Work the articulation crisply in the percussion section to anchor the march character from the opening statement.

How to use it

This fits naturally into a concert where you're showcasing the band's foundational strengths, whether as an opener that sets an energetic tone or alongside other Grade 1 selections that demonstrate solid musicianship. It's also well-suited for community performances where accessibility and polish matter equally.

Skills your students will build

  • Maintaining steady tempo and pulse in march form
  • Balancing melody with harmonic accompaniment
  • Crisp articulation and rhythmic precision in ensemble settings
  • Reading and performing in B-Flat major with natural ranges for all instruments

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