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Breaking Through: Concert Band Conductor Score & Parts

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Breaking Through Cover Image

Breaking Through: Concert Band Conductor Score & Parts

By Brian Balmages

Grade: 3.5;4

Item: 98-B1853

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Break down barriers with this energetic, joyous celebration of creativity and possibility! The incessant rhythmic drive combines with a flurry of woodwind flourishes and heroic brass fanfares, resulting in a high-energy barnburner that is destined to bring down the house!

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Additional Details
Series: FJH Concert Band
Publisher: The FJH Music Company, Inc.
UPC: 241444438374
SKU: 98-B1853

More about this title

About the Composer: Brian Balmages

Brian Balmages

Brian Balmages commands respect across orchestral, band, and chamber music circles as both a composer and conductor. His works have graced major concert halls including Carnegie Hall, the Kennedy Center, and the Sydney Opera House, performed by ensembles spanning from professional orchestras to elementary school groups. He received the A. Austin Harding Award from the American School Band Directors Association, claimed the 2020 NBA William D. Revelli Composition Contest, and holds membership in the American Bandmasters Association.

Balmages has built a career as a sought-after guest conductor for all-state ensembles, university groups, and professional orchestras worldwide, with appearances at the Midwest Clinic, Western International Band Clinic, and numerous regional conferences. His music was performed during the 2013 Presidential Inaugural Prayer Service, and he was commissioned by the University of Miami to compose for the inauguration of the institution's president. Currently, he serves as Director of MakeMusic Publications and Digital Education for Alfred and MakeMusic.

Why we love this

Balmages captures the exact energy you want on a contest or festival stage: relentless forward motion without sacrificing clarity or musical substance. The writing sits comfortably at Grade 3.5/4, which means your students can execute the exciting material without drowning in technical difficulty. It's the kind of piece that reminds audiences why concert band matters.

What to expect

From the first moment, the piece propels forward with infectious rhythmic energy that feels unstoppable. Woodwinds flutter and dance over a driving foundation while brass cuts through with bright, celebratory fanfares that capture the sound of possibility breaking open. The overall effect is joyful, confident, and impossible to ignore.

Who it's for

Concert bands at the upper Grade 3 or Grade 4 level preparing for contests, festivals, or high-impact concerts where you want the audience on their feet. Directors seeking programming that balances technical accessibility with genuine crowd appeal will find this piece delivers on both fronts.

How to get the most out of it

  • Keep the woodwind flourishes articulate and precise; they're meant to sparkle and add texture, not blur together. Light articulation breathes space into the rapid passages.
  • Lock the brass fanfares into a unified rhythm section. These moments define the piece's heroic character, so ensemble commitment from the low end is essential.
  • Maintain the rhythmic drive as your heartbeat throughout. Even in moments that might feel like breathing room, the pulse should never lose its intention.
  • Let dynamics shape the narrative arc. The energy builds and releases intentionally; honor the composer's dynamic markings to maximize the "destined to bring down the house" payoff.

How to use it

This thrives as a festival or contest centerpiece because it makes a strong statement without demanding an entire season of rehearsal investment. You might also place it as an energetic closer on a concert where you want students and audience alike to leave smiling. The piece rewards careful preparation but doesn't require months of technical deep work.

Skills your students will build

  • Sustaining rhythmic precision while playing rapid articulated passages
  • Maintaining intonation during high-energy, full-ensemble sections
  • Balancing lyrical woodwind work against supporting brass and percussion textures
  • Responding to dynamic contrast as a tool for shaping musical momentum
  • Ensemble coordination across multiple simultaneous rhythmic and melodic lines

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